Susan Sontag, photographed by Peter Hujar By all accounts, Susan Sontag found being alone intolerable. In Sigrid Nunez’s 2011 memoir, Sempre Susan, Sontag didn’t even want to drink her morning coffee or read the newspaper without someone else around. When she was alone and unoccupied by books, she tells Nunez, her “mind went blank” like “static on the screen when a channel stops broadcasting.” Without others to respond to her ideas, or a book to provoke them, the ideas vanished. Sontag herself substantiates Nunez’s impression in the second volume of her journals, As Consciousness Is Harnessed to Flesh. The tension visible here between the demands (and solace) of relationships and the appeal (and terror) of solitude may be a basic human circumstance. But women, in ... Continue reading →
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The Fitzgeralds in Hollywood Anne Margaret Daniel Zelda’s sketches of Scott: Recently published and revealing Published: 16 May 2012 A s the New Year’s Eve hangovers began to subside in Manhattan in January 1927, at the end of what F. Scott Fitzgerald had dubbed the Jazz Age, James E. Quirk, editor of Photoplay magazine, sent a letter-length telegram from his office in New York to Fitzgerald in Hollywood. If it couldn’t be delivered to Fitzgerald at United Artists Studios, where he was working on the screenplay of a flapper movie called “Lipstick” (never made), Quirk directed Western Union to send the message on to the Ambassador Hotel, where Fitzgerald and his wife Zelda had ensconced themselves a week or two earlier. Fitzgerald was drawn to ... Continue reading →