Jonathan Landman

Editor-at-Large, Bloomberg View, Bloomberg News

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James Comey Understands FBI Can Say ‘No’

bloomberg.com — James Comey is the grandson of an Irish cop. But it's not the policeman in his DNA that makes him the right choice to run the Federal Bureau of Investigation. It's his deep understanding of the power of secret intelligence. Comey arrived as the No.
RT @CassSunstein: The most important Sup Ct decision you haven't heard of. A big victory for Obama -- and it was written by Scalia. http://…

The Biggest Supreme Court Ruling You Haven’t Heard Of

bloomberg.com — The Supreme Court has yet to decide this year's attention-grabbing cases on same-sex marriage, affirmative action and the Voting Rights Act. But last week, a divided court decided Arlington v. FCC, an important victory for Barack Obama's administration that will long define the relationship between federal agencies and federal courts.
RT @TimOBrien: .@timothyblavin is responding to your questions about 3-D printing at 11amET. Send your questions with #3Dfuture

2013 Oscar Ballot - NYTimes.com

oscars.nytimes.com — Make your Oscars picks and predictions and share your ballot with your friends.

2013 Oscar Ballot - NYTimes.com

oscars.nytimes.com — Vote on Oscar nominees with The New York Times.
@Sulliview Well navigated. There's a lot of territory between mindless balance and mindless certainty. Both claim trust; neither earns it.

Tarantino is the baddest black filmmaker working today

salon.com — There are some folks who won't like to read these words: White guy superstar director Quentin Tarantino may be the baddest black filmmaker working in big-time Hollywood movies today.
Powerful reading by the actress Joaquina Kalukango from "Emotional Creature." The latest NYT "In Performance." t.co/LUWapLHd

In Performance: Joaquina Kalukango of 'Emotional Creature'

artsbeat.blogs.nytimes.com — Last week we introduced "In Performance," a theater video series featuring actors performing excerpts from their new shows. The first video was from the actor Aasif Mandvi in a scene from Ayad Akhtar's play "Disgraced." This week's video is a scene from Eve Ensler's "Emotional Creature," a show of songs and spoken-word pieces about the problems facing young women around the world.

Ben Brantley Answers Readers' Questions

artsbeat.blogs.nytimes.com — The chief theater critic of The Times answers questions about new scores, populist theater, projection design and Broadway's bathrooms.
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