Karina Longworth

Freelance Journalist

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Cultural writer/film critic/researcher/obsessive Dodgers fan for hire.

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The Immigrant's production designer just ditched "Hitch" at the press conference. Yes, the Will Smith movie. James Gray's response: "Ouch."
They are definitely not letting press into screenings at the Olympia today. Will I ever see Jimmy P?
"Essentially an experimental fiction film presented in documentary style, I’m Still Here was, Affleck..." tmblr.co/ZqYTbyleHeh_

Essentially an experimental fiction film presented...

tumblr.com — Essentially an experimental fiction film presented in documentary style, I'm Still Here was, Affleck suggests, drastically misinterpreted. "Which maybe just says I didn't do a good enough job. I thought it was a comedy. Other people didn't find it all that funny." Did it make his life as an actor more difficult?
@JHoffman6: Those twenty minutes of the final hour are very good. They say more about Adele than any of the other 40 minutes.
The second hour of Blue is the Warmest Color is so, so good. As for the rest of it...
RT @Grantland33: Rooney Mara & Casey Affleck talk 'Ain't Them Bodies Saints,' the Joaquin debacle, and more by @karinalongworth http://t.co…

Cannes Interview: Rooney Mara and Casey Affleck on Ain't Them Bodies Saints, Their Career Choices, and the Joaquin Debacle

grantland.com — Neilson Barnard/Getty Images for Variety The first thing I said to Rooney Mara was so wrong, it turned out right. It's the Sunday midpoint of the Cannes Film Festival, and I've just sat down in a subdivided hotel ballroom across from Mara and Casey Affleck, costars of Ain't Them Bodies Saints, the moody, Malick-esque criminal lovers odyssey from young American writer-director David Lowery.
@gemko: is this a new thing this year? I swear I've not had a problem before but this year all the signage says marche only
Boring #Cannes question: can I get into the Official Selection marche reruns with a press badge?
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