Anna Aslanyan on Muck Rack

Anna Aslanyan

London
As seen in: MSN Ireland, Financial Times, MSN UK, The Guardian, Cambridge University Press & Assessment, Yahoo Finance, The Irish Times, Yahoo Sports Canada, Yahoo Style Canada, The New Statesman and
Reading, translating, interpreting, reviewing @ random Dancing on Ropes: Translators and the Balance of History out with @ProfileBooks
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Articles

How the 18th-century Panopticon inspired today’s giant distribution hubs

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By Anna Aslanyan
| The Spectator Australia
Control Science: How Management Made the Modern World Verso, pp.352, 22 The future of work is increasingly on our minds. Now that AI is coming for our jobs, will we end up supervising or being supervised by it? One way of spending the time freed up by smart tech is to read Control Science, an economic history showing how work rules were established and have since come to dominate our lives.
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‘Nayatt School Redux’

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By Anna Aslanyan
| London Review of Books
The Cocktail Party by T.S. Eliot was first performed at the Edinburgh Festival in 1949. In 1966, Spalding Gray acted in it in upstate New York. He later spoke of being especially interested in Celia, a character who is ‘articulate about her “madness”. For me, she was a fantasy of what my mother might have been had she had the intellectual distance to articulate her nervous breakdown.’ Gray’s mother killed herself in 1967.
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The typo that spelled death in the Soviet Union

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By Anna Aslanyan
| The Spectator Australia
Rogues, Widows and Orphans: Mischief and Misadventures in the World of Books Profile, pp.304, 20 ‘As anyone who has gleefully spotted a typo in a prestigious publication, felt a flicker of schadenfreude at a pompous critic’s downfall, or secretly enjoyed a literary scandal knows, it is possible to love books while delighting in their disasters.’ The sentiment expressed in Rogues, Widows and Orphans is familiar to this reviewer.
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