Kerry Reid on Muck Rack

Kerry Reid

Verified
Chicago
As seen in: Chicago Reader, Nature, Wiley Online Library, Chicago Tribune, Flipboard, Orlando Sentinel, Playbill, EIN News, Chicago Magazine, Belfast News Letter, Staffordshire Live and
I write about theater and complain about other things. All opinions my own, except those I've stolen from someone else. She/her/hers Illustration by @berhuff.
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Articles

How precise are mutation rate estimates? Comparison of different approaches to estimate de novo mutation rates

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By Xi Wang, Chaowei Zhang, Hongbo Wang, Kerry Reid Verified, Juha Merilä
| Nature Verified
Abstract Availability of de novo mutation rate (µ) estimates based on approaches that rely on bioinformatic validations has increased tremendously during the past few years, but the accuracy and precision of these estimates often remain unclear as Sanger sequencing validation of the mutations is often lacking.
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Untitled Vampire Play is a toothsome delight at Lookingglass

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By Kerry Reid Verified
| Chicago Reader Verified
The moniker may feel anemic, but Kevin Douglas’s Untitled Vampire Play at Lookingglass Theatre is a bloody good thrill ride of a show that blends familiar undead lore with the lineaments of opposites-attract rom-coms. Nimbly directed by Devon de Mayo, Douglas crafts a tale of a young Chicago man, Dom (Jordan Anthony Arredondo), who brings his new love interest, Valencia (Courtney Rikki Green), home to meet the parents. There’s just one teensy thing they need to know first: she’s a vampire.
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Two families face minor irritations and major cataclysms in Catch as Catch Can

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By Kerry Reid Verified
| Chicago Reader Verified
Prior to Steppenwolf’s current production of Catch as Catch Can, I only knew Mia Chung through her 2012 play, You for Me for You, given a terrific production locally with now-gone Sideshow Theatre in 2018. At first glance, that earlier work—about two sisters attempting to flee North Korea who become separated and end up having quite different lives—would seem to have little in common with Chung’s Boston-set 2018 play about two intertwined families.
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