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Recent Articles
Search ArticlesData Melt exhibition launch
Join us in the SPACE Gallery to celebrate the opening of Data Melt, a solo exhibition by Liberty Quinn In this exhibition, Liberty Quinn explores how we witness and understand climate breakdown in remote polar regions. The images we see of these melting landscapes are rarely direct views. Instead, they are assembled from multiple satellite captures, and shaped through digital technologies before reaching our screens.
Members show 2026 | head(ae)scape
Members show 2026 | head(ae)scape | Exhibition | Fri 17 Jul - Sun 2 Aug just opened Regular hours Friday 10:00 – 18:00 Saturday 10:00 – 18:00 Sunday 10:00 – 18:00 Tuesday 10:00 – 18:00 Wednesday 10:00 – 18:00 Thursday 10:00 – 18:00 People who have saved this event: close Address Directions via Google Maps Directions via Citymapper This year’s members show is primordial: inviting our members to enter into body and brain (dis)association with us.
On the Thick and Thin of Painting
Daniel Sturgis: 'Realism (Adorned) I' ,2023, acrylic on canvas, 35 x 38 cm Cecilia Charlton: 'Wormhole Mosaic [sweat of the sun, tears of the moon]', 2022, hand-embroidered wool yarn and acrylic paint on cotton canvas over panel with acrylic paint and gilding, 176 x 270cm. Tom Benson: 'Spring raiment (2)', 2026, paint, aluminium components, steel pins, aluminium panel, 90 x 40 x 2cm.
Liberté éclairant le monde: Liberty Enlightening the World
PATRICIA SWEETOW GALLERY is pleased to present Liberté éclairant le monde: Liberty Enlightening the World, Part 2 of Summer 2026, with artists Taraneh Hemami (San Francisco), Wakana Kimura (Los Angeles), Preetika Rajgariah (Houston), Reyah (Los Angeles), Gabby Severson (San Francisco), Lien Truong (Chapel Hill), and Sanjay Vora (Oakland).
Luke Forsyth. PROSCENIUM
Feia is proud to present Proscenium, a solo exhibition by Los Angeles-based artist Luke Forsyth. Opening July 18, the show marks the second presentation at the Feia Flat. Borrowing from the language of stagecraft, art direction, scenic design, and prop-making, Proscenium unfolds like a play without a beginning, middle, or end.
The Cars of Los Angeles
About To coincide with their exhibition, The Woods, Dan Mitchell and Richard Sides have curated a concurrent group exhibition entitled The Cars of Los Angeles. The artists are: Carlos Agredano, Merlin Carpenter, Fiona Connor, Sylvie Fleury, Max Göran, Jason Hirata, Alan Michael, Josephine Pryde, Ed Ruscha, Lucien Samaha, Nicole-Antonia Spagnola, and Angharad Williams. The exhibition also includes a fake John Chamberlain and a work after Richard Hamilton.
The Name in My Empty Hand
The Name in My Empty Hand at Tiger Strikes Asteroid (TSA) | Los Angeles coming soon Regular hours Saturday 12:00 – 17:00 Sunday 12:00 – 17:00 People who have saved this event: close Address Directions via Google Maps Directions via Citymapper Debut solo exhibition from multidisciplinary artist Rosie Brand comprising seven years of work seeded in grief—ceramic sculptures, cyanotype prints, and installation exploring loss, care, and healing.
Exhibition at Feia Gallery in Los Angeles
Feia is pleased to present Four Corners, a four-artist exhibition featuring Los Angeles-based artists Cathy Akers and Kayla Mattes alongside New York-based Danielle Klebes and Janet Loren Hill. Opening on July 18, the exhibition marks the second presentation at the gallery's Los Angeles space, assembling a provisional world from the distinct visual vernaculars of its four artists.
Exhibition at Bel Ami in Los Angeles
Dan Mitchell, Spanking, 2026, pencil on Fabriano 300 gsm paper, 11 5/8 x 16 1/2 in (29.7 x 42 cm) Richard Sides, Family Drama (Sister), 2026, enamel on wood, 19 5/8 x 23 5/8 x 2 in (50 x 60 x 5 cm) coming soon Regular hours Saturday 10:00 – 18:00 Wednesday 12:00 – 18:00 Thursday 12:00 – 18:00 Friday 11:30 – 18:00 People who have saved this event: close Directions via Google Maps Directions via Citymapper Dan Mitchell and Richard Sides present a dual exhibition pairing monochromatic language...
LIGHT CODES: pigment, pulse & phōs
Bringing together layered monochrome works by Florence Dassonville, pulse-responsive digital experiments by Steven Irby, and an immersive firefly forest also shaped by Irby’s remembered encounter with bioluminescence, the exhibition considers how light is received, stored and translated through material, memory and biological rhythm.