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F or nearly two centuries, Tiffany & Co. has helped shape the world of colored gemstones through pioneering gemstone discoveries, extraordinary acquisitions and unparalleled craft. Color has been central to Tiffany & Co.’s creative world, from stained glass masterpieces and its instantly recognizable hue to today’s iconic jewelry collections.

T o mark the beginning of this ambitious conservation effort, Tiffany & Co. presents I Am Only a Pencil during Paris Fashion Week® 2026. The presentation offers an unprecedented opportunity to discover the designer’s creative universe through original drawings, archival materials and the extraordinary jewelry they inspired. The House partnered with the Virginia Museum of Fine Arts for the scientific expertise of this presentation.

H ong Kong’s role as an international meeting point for the jewellery trade received renewed support at the September 2026 edition of Jewellery & Gem World (JGW). Held across AsiaWorld-Expo from 14 to 18 September and the Hong Kong Convention and Exhibition Centre from 16 to 20 September, the fair brought together around 3,000 exhibitors from 46 countries and regions, spread across more than 40 pavilions.

E arrings are a key focus, with five new standout pieces. In addition to three new large hoops available in yellow, white or rose gold, two ear cuffs have also been introduced. The collection further presents a sleek and unisex chain bracelet and – underscoring the Le Damier’s versatility – this is complemented by a refined fully adjustable sliding pendant necklace.

R osy Blue is one of the world’s largest diamond manufacturers and, despite having plenty to boast about, one of the most discreet. The Rosy Blue story began in 1960 when Bhanuchandra Bhansali and his nephew, Arunkumar Mehta, set up a small diamond trading business in Mumbai, naming it B. Arunkumar & Co. The business thrived under their leadership, expanding step by step to become a major player. First, in 1969, B. Arunkumar & Co. became a De Beers sightholder.

V alérie Messika grew up surrounded by precious stones. At an age when others were playing Super Mario, guided by her father, André Messika, an esteemed diamond merchant since 1972, she was learning to distinguish different gems.

A udemars Piguet expands the celebrated 23mm quartz collection introduced in 2024. Deepening the dialogue between jewellery and watchmaking, these new models forgo the Frosted Gold finish of the previous editions, allowing exquisite stone dials to take centre stage. Enhanced by the Royal Oak’s signature polished and satin-brushed surfaces, this nuanced play of textures and tones magnifies the brilliance of each stone.

M ore than a watch, this piece is a statement of culture, technique, and Roman savoir-faire. Crafted in 18k yellow gold, with a 39mm case, a bezel set with blue baguette sapphires, a skeleton dial set with diamonds and an automatic Swiss movement, it brings together brilliance, transparency and depth in a composition of remarkable harmony. The floral inspiration gives the watch its distinctive character.

E ach piece begins with an in-depth study of the base stone’s cut, ensuring it follows the curves of the metal precisely while fully preserving brilliance and light performance. The entire structure is first engineered through detailed 3D design, allowing complete control over proportions, alignment, and overall harmony.

C elebrating the Monogram flowers, this emblematic collection welcomes a new stone color – the eye-catching, navy-blue hued sodalite, which is rarely seen in jewelry today – while also introducing new pavé designs. A total of 28 new jewels now enhance the Color Blossom collection, inviting wearers to play, stack, combine and self-style the pieces.