Cinemacy
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Established in 2013, Cinemacy is the destination for discovering the latest in independent, documentary, and arthouse films. Founded by Morgan Rojas, a former broadcast journalist and music coordinator, Cinemacy is considered an industry tastemaker for what's worth watching in our current state of choice overload. Source
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| Scope | International |
|---|---|
| Language | English |
| Country | United States of America |
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Recent Articles
Search Articles‘A Little Death’ Review: The Teacher Becomes the Student
Beautiful handcrafted animation is alive and well in Leto Meade and Jonathan Rockefeller’s short film, A Little Death. In a world of increasing AI infiltration, the film’s hand-drawn illustrations offer a breathtaking return to form. The craftsmanship is stunning and vividly transforms the source material, Nicholas Gurewitch’s graphic novel “Notes on a Case of Melancholia, Or: A Little Death”, into a charming dark comedy.
‘The Snare’ Review: A Gritty Portrayal of Rock Bottom
I sat down with Cassady McClincy Zhang (The Walking Dead) and filmmaker Merlin Camozzi to talk about The Snare, which is now available on VOD. In our exclusive interview (which took place ahead of the film’s limited theatrical release), we spoke about how Merlin’s childhood informed the writing of the script, Cass’s contribution to the wardrobe and how a pair of pants transformed her character, and how “loneliness” was the key word when it came to nailing the tone of the score.
‘The Turtle’ Review: A Vehicle for Self-Reflection
Vulnerability is the one of the bedrocks of any solid relationship. When that foundation of trust is fractured in any way, the fallout can feel isolating. In filmmaker Joe Bongiovanni’s short film The Turtle, one couple tests the limits of their partnership by pushing the boundaries of their emotional and physical connection. Tony is a blue-collar employee who desperately needs time to decompress after work. His wife, Barbara, finds it difficult to give him the space he is asking for.
‘The Snare’ Review: A Gritty Portrayal of Rock Bottom
Filmmaker Merlin Camozzi crafts a gritty portrait of a teenager caught in the crosshairs of police politics in his feature debut, The Snare. The film opens with a title card informing audiences that the story that follows is based on true events. What unfolds is a gripping account of manipulation, intimidation, and the devastating consequences that can arise from one seemingly innocuous decision. It’s the summer before Dani’s (Cassady McClincy Zhang) freshman year of college.
‘The Last Mullet’ Review: The Fight for Freedom Starts with Hair
When self-expression becomes illegal, how far will you go to preserve your identity? This is the question at the center of the filmmaker Hoj Jomehri’s short film, The Last Mullet. Inspired by true events, Jomehri tackles this political statement through a comedic lens, making a lighthearted jab at a forbidden hairstyle that has very real consequences. In 2010, the mullet was banned in Iran.
‘Love Song’ Review: An Old Flame Sparks New Inspiration
When a former muse re-enters the life of a successful yet vulnerable music producer, he faces an emotional pull between duty and desire. This conflict between the head and the heart is at the root of the short drama, Love Song. Written and directed by Love Nafi, Love Song shows how easily temptation can creep into unsteady relationships. It’s also a cathartic reminder that not all love songs end in happily ever after.
‘Everything I Own’ Review: Can You Save a Fractured Family?
Filmmaker Andrew Garbus bravely shares his most private moments in the achingly poignant film, Everything I Own. Combining intimate handheld interviews with over 10 years of home videos, Andrew documents the tumultuous days leading up to the sale of his familial home as a result of his parents’ separation. Raw and unflinching, Everything I Own is a cinematic portrayal of the five stages of grief. Often, the hardest stories to tell are the ones that hit closest to home.
‘Floored’ Review: That’s One Way to Face an Identity Crisis
Connecting to your root chakra is a key to empowerment, as seen in the short comedy Floored. Co-directed by Marchelle Bradanini and Emily Alpren, Floored uses witty humor to poke fun at the identity shift and sexual disconnect that former career-oriented women turned middle-aged housewives stereotypically face. A recent selection of the 2026 Indy Shorts Film Festival, this indie darling is a satirical delight.
‘Hadestown’ Review: Broadway Comes to the Big Screen
It’s a sad song. It’s a tragedy. But that doesn’t stop fans from flocking to see the award-winning musical, Hadestown. I have become so transfixed by this show that during its run at the Ahmanson Theater in downtown Los Angeles three years ago, I went back for a second performance. The story of an Ancient Greek myth set to modern American folk music mixed with New Orleans-inspired jazz makes Hadestown a stunning and unforgettable show.
‘6,000 Waiting’ Review: An Empathetic Call to Action
Living your life in a constant state of “what if” is a daunting state of being. Finding the strength to keep going in the face of such uncertainty is no small feat. The short documentary 6,000 Waiting introduces us to three Georgians who are living on the cusp of a life-changing decision. Directed by Michael Joseph McDonald, 6,000 Waiting is a timely call to action that encourages a deeper look into a broken U.S. Healthcare system.