Clunk Magazine

After years of photographing and filming the London music scene, Matt’s now based in Sydney, Australia. A lover of the post-punk and alternative movement, he can usually be found in the grassroots venues, camera in one hand and a beer in the other. Ask your Sydney friends, family or colleagues what they were up to this weekend and I can guarantee a good few of them will have the same answer: they were getting stuck in and a few deep at King Street Crawl.

Photography by Izzy Reeve Freelance photographer, videographer, and journalist. Specialising in all things music and will most likely be found in a photo pit somewhere muttering about lighting conditions ArcTanGent Festival is set to return to Bristol this August with a lineup packed with some of the best alternative music around.

Love Supreme Festival 2026 Glynde Place, East Sussex Photography by Zach McDowell Photography by Zach McDowell I’m a concert photographer and writer from Brighton. I love cats coffee and cameras. From legendary jazz purists to the modern pioneers of neo soul, this year’s Love Supreme Jazz Festival proved once again why it remains the crown jewel of the UK summer music scene.

Photography by Siôn Marshall-Waters Director and Founder of CLUNK Magazine, CLUNK Events, and other CLUNK affiliate businesses. You’ll probably find me tucked away somewhere sending emails, listening to music, and creating content. Getdown Services yet again feed us hungry little piggies with their latest single ‘Cha Cha Slide’, taken from their highly anticipated sophomore album ‘Massive Champion’, out August 14th via Breakfast Records.

Photography by Charlie & Charlie Full time student and live music enthusiast, actively involved in Manchester and Newcastle’s music scene, interviewing and reviewing grassroots bands and larger indie acts. Man/Woman/Chainsaw wrote their debut album in two places that couldn’t be less alike: a half-abandoned North London vicarage with a homemade hessian monster lurking in the attic, and a distinctly unglamorous writing retreat in Kent.

Photographer trying to capture all the colours of the world one gig at a time. I love experimenting with my photos, both digitally and old school arts and crafts style. I also find my voice through writing about art in any shape or form. Catch me hopping around grassroots venues bopping my head and camera to some good tunes! Silver tinsel erupts in the air as ‘Bloom Baby Bloom’ opens Wolf Alice‘s biggest headline show to date.

Director and Founder of CLUNK Magazine, CLUNK Events, and other CLUNK affiliate businesses. You’ll probably find me tucked away somewhere sending emails, listening to music, and creating content. We’ve been working very hard in the background for some time on this one and we are incredibly proud to announce that our next zine will be out August 7th. Taking the cover are legends and friends Getdown Services whom we met with in Bristol back in February for a sit down interview and photoshoot.

Music journalist & online sub-editor for CLUNK Magazine based in Bristol. Fumbling around on social media trying to tell people about my interviews and reviews. Follow me @charvawritesstuff DOUR are a gloomwave band from Vancouver, sitting somewhere between post-punk, art-rock and shoegaze.

Music journalist & online sub-editor for CLUNK Magazine based in Bristol. Fumbling around on social media trying to tell people about my interviews and reviews. Follow me @charvawritesstuff Constantly evolving, inventing, re-inventing and re-re-inventing their unique style of electro-art rock, pop, country and punk, Fat Dog have announced their second album ‘Cancel Me (I’m Tired)’ will be released on October 2nd.

8 years in the game and still at it, I’m a photographer and musician based in Bristol. I love the music scene with my whole heart and capturing the little moments that might be missed is all I want to do. Big canon apologist, tiny camera fanatic and fond of anything that reminds me of Frank Ferdinand. Crawlers are one of those bands that deserve better. They reached astronomical viral status with ‘Come Over (Again)’ in 2021, when we were all deeply in need of some post-pandemic catharsis.