CMUSE

Source key tonic Source mode Target key tonic Target mode Modulation method Pivot chord strength Higher values reduce perceived distance. Chromatic connecting tones Count non-diatonic passing or voice-leading notes. Preparation length in bars Longer preparation can normalize remote targets. Target cadence confirmation Phrase tempo Fast motion slightly reduces perceived distance.

Ukulele Chord Chart — Tenor Tenor uke · switch between high-g and LOW-G tuning and hear the difference · 144 chords · tap to see & hear This is the tenor ukulele — bigger body, longer neck, more room between the frets. The chord shapes are identical to a soprano or concert uke, so nothing you already know is wasted. What makes a tenor different is the 4th string, and that is the toggle at the bottom.

Product-frequency laboratory Ring Modulation Simulator Multiply two oscillators, hear the carrier disappear, and watch sum and difference frequencies become the new sound.

🎵Real Hypermeter Presets 🎼Grouping Inputs Total bar count Count only the span being analyzed unless pickup bars are entered below. Expected phrase length in bars Common values are 2, 3, 4, 6, 8, and 16 bars. Pickup or anacrusis bars Pickup bars are tracked before the first full hyperbeat. Primary grouping model Model affects accent strength, closure, and remainder handling. Irregular group pattern Use plus signs, such as 3+3+2, 5+7, 4+4+6+2.

Piano Key Chord Chart Which keys to press for every chord · 12 roots × 9 chord types · tap to light the keyboard & hear it Pick a root and a chord type and the keyboard lights up the exact keys to press. Everything is shown in root position — the root at the bottom, then the chord stacked upwards. The pattern is what to take away, because it is the same in every key. A major chord is always root, then 4 semitones up, then 3 more. A minor chord flips them: 3 then 4.

Two-operator sideband flight deck FM Synthesis Simulator Drive one oscillator's frequency with another. Ratio places the sidebands; modulation index spreads their energy into a metallic, bell-like, or nearly pure spectrum. Mouse/touch: hold a pitch pad, choose a ratio, or drag carrier/index controls. “Fly the modulation index” performs a six-second pure-to-complex sweep; “Ground the operators” fades every voice.

🎼Real harmonic rhythm presets 🎹Progression inputs Chord changes counted Count distinct harmony events; held repeated bars remain one event. Total measures Use the section length you want to compare. Beats per measure Common values: 3, 4, 6, 7, or additive meters. Tempo in BPM Used to convert harmonic rhythm into seconds. Cadential arrivals Count clear half, deceptive, plagal, or authentic arrivals.

Form section length, in measures The span being tested, such as a phrase group, verse, or exposition area. Phrase length, in measures Use the normal phrase unit, not the whole section. Cadence count in this section Count functional arrivals, including lighter medial cadences. Target measures between cadences Set the spacing you want to compare against the calculated average.

Piano Chord Finger Chart Which finger plays which key · 12 roots × 9 chord types · right hand or left · tap to see & hear Pick a root and a chord type, and the keyboard lights the keys with a numbered circle on each one telling you which finger plays it. Fingers are numbered 1 = thumb through 5 = little finger, on both hands. Root-position chords are wonderfully regular.

Sculpt the spectrum: each vertical drawbar sets one sine partial at 1× through 8× the fundamental. Tap a ratio badge—or press number keys 1–8 while the lab itself is focused—to audition that partial alone. Arrow keys adjust drawbars and move among pitch/recipe buttons; the Fundamental tray transposes the whole bank and Spectral recipes load editable level sets.