Dodho Magazine
Magazine,
Online/Digital
Dodho Magazine is an independent international magazine, born out from necessity and with the vocation to promote the work and projects of professional and emerging photographers from around the world.
Dodho Magazine was launched in April 2013 based on the idea of giving voice to thousands of photographers from all over the world. As a result of our passion and enthusiasm, we dared to undertake this beautiful but steep path, becoming today one of the most visited portals of photography on the web. These first years have been incredible, and we are proud to have given the dissemination they deserved to hundreds of incredible stories and their photographers. All of them are now part of our community, making possible our dream of living and breathing within photography. Dodho Magazine is what for our philosophy should be a real photography magazine, an independent medium for amateurs and professionals. A magazine written by photographers for photographers. A free-expression vehicle for all, respecting the individual, a personal and collective at the same time — a medium for people who have something to say and share it with the world. In short, a magazine from all and for all. Source
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| Scope | International |
|---|---|
| Language | English |
| Country | N/A |
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Recent Articles
Search ArticlesNapaea by Alexandra Cool: Exploring Nature, Time and Transformation
Rather than documenting nature as it appears, I am interested in creating images that suggest another way of experiencing it—one in which time becomes fluid, familiar forms become ambiguous, and the landscape seems to exist somewhere between memory and reality. I search for this space between what is seen and what is sensed. By reducing the landscape to shades of black, white, and grey, shape, texture, light, and atmosphere remain.
Ólafsfjörður: 31 Days of Changing Light by Bastiaan van Aarle
Ólafsfjörður is a fishing village in northern Iceland. All of this is surrounded by snow-covered mountain peaks, rivers meandering through valleys, the sea crashing against cliffs, and sheep grazing on the hills. One of the remarkable things about Iceland is that the sun does not set during the summer. Because of Ólafsfjörður’s northern location, the sun touches the horizon on the first of July and immediately begins to rise again.
Forest in Fear by Karel Mus: A Photographic Story of Disappearance
A forest is not silent. Sometimes, it is afraid. A forest is often imagined as a place of tranquillity. Trees, animals, light, and shadow become part of a seemingly timeless landscape. But what if the forest is not at peace? What if the forest could feel fear? Forest in Fear is a photographic project by Karel Mus that tells a real story. A story about a forest, the animals that lived within it, and a landscape that was already carrying the signs of its own disappearance.
National Character by John Sanderson: Landscapes of a Changing America
National Character is a geographically broad rendering of social landscapes across the American Realm. A certain melancholia imbues these photographs. The tired faces and stained façades I am drawn to are on the verge of irrelevance in an increasingly tech-driven world—yet there is hope. The things built before modernity are cathected with the charm of human effort and demand to be seen. Yet the distractions of today often blind us to the truth written on their surfaces.
Borderlands by Isabelle Hayeur: Traces of Migration in the American Desert
Her research led her to Jacumba, a small community in the Pacific Coast Ranges where a steel wall cuts through rugged, sun-bleached terrain. Borderlands, the photographic series and accompanying video that emerged from this research, marks Hayeur’s first sustained encounter with this landscape and with the people who move through it clandestinely.
Transnistria: The Orphans of History by Didier Bizet – Life in an Unrecognized State
Suspended between Moldova, Russia, and its Soviet past, the region struggles with an uncertain identity. Russian, Moldovan, Romanian, and Ukrainian influences coexist alongside Soviet symbols. This cultural and political ambiguity reinforces a sense of abandonment, leaving Transnistrians as “orphans” of history, dreaming of recognition for a country that officially does not exist. Didier Bizet is a documentary photographer.
Les Impatientes by Lionel Jusseret: Life Inside a Nursing Home
12:05 p.m. The residents stand sighing before the swinging doors of the dining hall. The ones in wheelchairs are up front, all in a row. The doors finally open, and the soup is served. The white coats hand out “elastic napkins for adults,” which are really just jumbo bibs. Ms. Yvonne waves me over and asks me to help her tie her napkin around her neck. A former gym teacher, she’s a mischievous little woman, full of energy. I like her.
Portals of Displacement by Nick Verhaeghe: Images, Materials and New Possibilities
Portals of Displacement began with photographs that did not fit anywhere else. They stood on their own, yet had no place within the visual language of those series. I thought of them as my “lost negatives.” Eventually, I began bringing them together. What connected these photographs was not a shared location or a predetermined story. There were recurring forms: circles, triangles, squares, concrete structures, and human figures appearing in similar poses.
Vulva Obscura by Hanne Lamon: Photography, Intimacy and Vulnerability
For two decades, Hanne Lamon (b. 1982) has been making tranquil photographs of her everyday life that possess an unruly beauty. The photographer creates images that shed light on a fragile and intimate world. Lamon focuses on human body language, subtle touches and draperies, as well as mysterious landscape scenes and abstract compositions. She experiments with film photography, specific types of paper, and manual graphic printing processes.
Xiamen Beach by Franky Verdickt: Life Along China’s Coastal Frontline
The island and megacity of Xiamen and the Taiwanese island of Kinmen lie barely six kilometres apart. Yet Xiamen lies on the other side of that so-called line, in what is supposedly barbarism. Xiamen is one of China’s four original Special Economic Zones. Established in 1980, it opened its doors to foreign trade and investment, while Beijing largely refrained from interfering in the operations, production, and trade of the companies established there.