Dodho Magazine
Magazine,
Online/Digital
Dodho Magazine is an independent international magazine, born out from necessity and with the vocation to promote the work and projects of professional and emerging photographers from around the world.
Dodho Magazine was launched in April 2013 based on the idea of giving voice to thousands of photographers from all over the world. As a result of our passion and enthusiasm, we dared to undertake this beautiful but steep path, becoming today one of the most visited portals of photography on the web. These first years have been incredible, and we are proud to have given the dissemination they deserved to hundreds of incredible stories and their photographers. All of them are now part of our community, making possible our dream of living and breathing within photography. Dodho Magazine is what for our philosophy should be a real photography magazine, an independent medium for amateurs and professionals. A magazine written by photographers for photographers. A free-expression vehicle for all, respecting the individual, a personal and collective at the same time — a medium for people who have something to say and share it with the world. In short, a magazine from all and for all. Source
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| Scope | International |
|---|---|
| Language | English |
| Country | N/A |
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Recent Articles
Search ArticlesDifferent People, Different Stories by Muhammad Alhawashi
Different People, Different Stories is an ongoing documentary photography project that explores the lives of ordinary people whose stories often remain unseen despite their essential role in society. Behind every face lies a lifetime of experiences, challenges, dreams, sacrifices, and achievements that deserve to be recognized and remembered.
Gregor Kallina: The Cost of the Green Transition
Gregor Kallina’s work operates at the intersection of documentary photography and a more reflective, almost poetic approach. In Scar Place, Kallina turns his attention to northern Sweden, where the growing demand for raw materials driven by Europe’s Green Deal is reshaping both the landscape and the lives of those who inhabit it.
Soul Places: Giuseppe Satriani’s Photographic Essay on the Places That Unite Us
It is undeniable that, now more than ever, our future is filled with uncertainty. My roots are in Lucania, a harsh land of hidden beauty, inhabited by people who generally live comfortably in the shadows and are generous with their actions rather than their words. I have lived in Euskadi for thirty years.
The Spirit of Freedom: Wild Horses Through the Lens of Curtis W. Callaway
For more than three decades, my camera has taken me across oceans and deserts, beneath the surface of the sea, and into some of the world’s most remote landscapes. In this body of work, I turn my lens toward one of the most enduring symbols of freedom—the wild and semi-wild horses that continue to roam the Earth’s open spaces.
Making the Moon by Justin Pumfrey | A Poetic Journey Through Nature and Light
Making the Moon is a photographic and poetic sequence created between 2020 and 2026 in Somerset, Richmond, and the surrounding edges of the natural world. The starting point is the nameless. By this, I mean the dimension where things appear before language fixes them into place. A tree, a body of water, a flower, the moon, or a field at night—each first arrives as a presence before becoming a subject. Photography, for me, begins in that state of not knowing.
Slow Interiors by Lorenzo Vitali | An Artistic Journey Beyond AI and Visual Perfection
We are living in a time when, in every field, the often difficult and sometimes painful learning process is being rapidly erased through the widespread use of AI. That is why I felt an urgent need to pause and observe the reality around me, searching for a tangible, physical, and material starting point from which I could embark on a genuine journey—one that had yet to be imagined.
The Forbidden Family Album by Kacper Staszczyk | An Unfiltered Portrait of Love, Illness, and Memory
“The Forbidden Family Album” is a direct response to the sanitized history of domestic photography. This project challenges that censorship by documenting what is traditionally considered forbidden: the reality of my father’s terminal illness. Initially, I hesitated and felt ashamed to ask my father if I could photograph him or share those images publicly. Influenced by the unspoken rules of what “should” be photographed, I unconsciously followed them.
ONE DAY / ONE FRAME: Yana Raaga’s Long-Term Photographic Practice
ONE DAY / ONE FRAME began with a simple rule: one day, one image. The image cannot be replaced later. Over time, what began as a rule became a way of inhabiting photography itself. The project unfolds in Alūksne, a small town in northern Latvia, far from major events, urban intensity, and the constant flow of visual stimuli. This peripheral condition has become an essential part of the work.
Essence of an Environment: Multi-Exposure Photo Art by Dan-E. Nilsson
My photo art is based on a unique technique that depicts environments through a combination of many overlaid scenes. In this research, I use a digital camera with a 180-degree fisheye lens to measure the distribution of light that reaches our eyes. The aim is to identify the features of visual environments that make us like or dislike them, how they influence our mood, and how they determine what we feel like doing.
Sentinels: Colorado’s Eastern Plains Through the Lens of Eric Hagemann
Colorado is most often associated with the Rocky Mountains—the dramatic skyline of fourteen-thousand-foot peaks that draws millions of visitors each year. Yet nearly one-third of Colorado lies east of Denver, stretching across the Eastern Plains, the western edge of the American High Plains. This vast landscape of grassland, grain, and cattle is sparsely populated and often overlooked. The Eastern Plains are defined by distance and scale. Fields of wheat, corn, and sorghum extend to the horizon.