English National Opera
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| Language | English |
| Country | United Kingdom |
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Recent Articles
Search ArticlesCosì fan tutte | Buy Opera Tickets for 2026 | ENO
The ultimate relationship test Experience all the fun of the fair in Mozart‘s Italian comedy opera Così fan tutte, where things aren’t quite what they seem for two loved-up couples, who find themselves taking the ultimate relationship test. Packed with witty twists, sparkling arias and Mozart’s signature charm, this timeless opera paints a whimsical yet poignant picture of love, trust and temptation in a way that is both heartwarming and delightfully entertaining.
Partenope | Buy Opera Tickets for 2025 | ENO
Relationship status: It’s complicated. When it comes to Partenope’s love life, complicated doesn’t quite cover it. Settle in for George Frideric Handel’s first operatic romcom Partenope, where all isn’t fair in love and war, love triangles turn into love hexagons, and every glance risks sparking a duel. At the heart of the story is Queen Partenope, a ruler who’s as clever in courtship as she is in battle.
Under 21s can get free opera tickets to all ENO performances at every level of the theatre, and 21-35 year olds can get discounted opera tickets. Tickets for everyone begin at £10. In the 2023/24 Season at the London Coliseum, the English National Opera (ENO) will present the acclaimed production of 7 Deaths of Maria Callas.
The Yeomen of the Guard Reviews
ENO Response is a scheme that offers aspiring writers the opportunity to review opera whilst receiving writing advice and feedback from industry mentors. The ENO presents the first production of Gilbert & Sullivan’s The Yeomen of the Guard in the company’s history. This operetta – widely regarded as the finest musical work of the duo’s partnership – swaps their usual farcical comedy and upbeat ending for a poignant turn of affairs.
ENO Response 22/23 | Akhnaten Reviews
ENO Response is a scheme that offers aspiring writers the opportunity to review opera whilst receiving writing advice and feedback from industry mentors. Phelim McDermott production of Philip Glass’s Akhnaten returns to the London Coliseum for its second English National Opera (ENO) revival since its premiere in 2016. The Olivier Award-winning production traces the story of the eponymous Ancient Egyptian Pharaoh’s abandonment of polytheism in favour of one God: Aten.
Jenny Mollica has been appointed Interim Chief Executive of the English National Opera (ENO). She will take up the post in September following the departure of the current Chief Executive, Stuart Murphy, who confirmed the extension of his contract in October of last year. Jenny will work closely alongside Annilese Miskimmon, ENO Artistic Director, Martyn Brabbins, ENO Music Director and the ENO Board.
The company will now start the process of making an application to the Arts Council for an award up to this amount. ENO’s developing plans are based on a reimagined artistic and business model with a primary base out of London, whilst continuing to own, manage and put on work at the London Coliseum.
Following development work by the English National Opera (ENO), Arts Council England has set a budget of up to £24million investment for 2024-26. The company will now start the process of making an application to the Arts Council for an award up to this amount. ENO’s developing plans are based on a reimagined artistic and business model with a primary base out of London, whilst continuing to own, manage and put on work at the London Coliseum.
The Dead City Reviews
ENO Response is a scheme that offers aspiring writers the opportunity to review opera whilst receiving writing advice and feedback from industry mentors. Annilese Miskimmon, the ENO’s Artistic Director, directs the new production of Erich Wolfgang Korngold’s The Dead City (Die tote Stadt). Promising to fulfil Miskimmon’s acclaimed directorial style, this production will find the romance at the heart of Korngold’s story, sung in English based on a translation by Kelley Rourke.
“It is hard to believe that only a few weeks ago I enjoyed dinner with him in North Norfolk.” said ENO & London Coliseum Chair Harry Brunjes. “At ENO we will remember Peter as one of our great supporters over the decades. He had already bought his tickets for every production of our imminent season and was very excited by the programme.