Indesign Australia

Product Description Ceto is a sculptural lighting collection, each piece reflecting a unique pattern, emitting a delicate luminosity. The Ceto Chandelier is available in several horizontal or vertical arrangements, including one, two, three or five-piece glass configurations.

Soul Soft is a special version of the armchair designed by Eugeni Quitllet in 2018, showcased as novelty at Maison & Object 2020. Aim of the Catalan designer is to express an idea of uncontaminated and pure creativity, without the ornaments that would conceal its true nature. The ash structure has a minimalistic, flowing silhouette, characterized by a harmonious interplay of curves and subtle lines.

Duet is the first stage of an $800 million residential development now under construction at Northshore Hamilton, one of Australia’s largest waterfront urban renewal precincts. Comprising 429 residences across two 25-storey towers, the Plus Studio project sits within a part of Brisbane still carrying traces of its working waterfront, while responding to a very different future of increasing density and apartment living.

Powerhouse Parramatta has revealed the full exhibition program that will open with the museum on Saturday 7th of November 2026, bringing together more than 3000 objects across five major exhibitions spanning design, science, technology, art and First Nations knowledge. Four of the five exhibitions will be free, with only Task Eternal ticketed for adults and free for visitors under 16. Powerhouse Parramatta under construction, May 2026. Photography by Rory Gardiner.

On Saturday 12th of September, Sydney’s design showrooms will open their doors for Saturday Indesign, bringing architecture, interiors, furniture, lighting and material design together across Paddington, Surry Hills, Waterloo and Alexandria. Running from 9am to 5pm, this year’s event spans more than 35 showroom locations, with 40-plus exhibitors, over 150 brands and around 100 activations scheduled across the four precincts.

Reimagining the role of transport infrastructure, Pakenham Station is transforming a utilitarian transit interchange into a civic landmark and catalyst for urban renewal. Delivered as part of Victoria’s ambitious Level Crossing Removal Project, Genton’s design for Pakenham Station replaces three dangerous level crossings while establishing a new elevated rail precinct that reconnects the heart of Pakenham.

Ahead of Saturday Indesign on the 12th of September, Savage Design invited a small group of architects and interior designers into its showroom for a preview of Ministry of Metals, the interactive experience it will present as part of this year’s program. The idea is simple: instead of talking about metals from a distance, let designers handle them, test them and work with them directly.

Royal Oak Floors’ fireside chat series continued in Sydney this winter as the pair behind Richards Stanisich joined our Editor Timothy Alouani-Roby at the Surry Hills showroom. Speaking before a live audience of exquisitely well-dressed designers and enthusiasts, the conversation explored Jonathan Richards and Kirsten Stanisich’s professional relationship, the development of their practice and the principles that have remained consistent since establishing it eight years ago.

For nearly four decades, the Aeron chairs by Herman Miller have been synonymous with ergonomics, functional elegance and environmental responsibility. This is not a reputation taken lightly, instead, there is a drive for continual innovation. Refinements and enhancements respond to the evolving trends within workplaces and the science of human health and behaviour, for example, the recent interest in biophilia and the cognitive benefits of colour.

Throughout the year, we’ve been focusing on more intimate events that facilitate depth in discussion and quality connections between people in the industry. It starts with scale — no more than 15 guests or so — and it comes to fruition with a specific, selective topic. In Sydney earlier in the year, we considered the idea of ‘the office as a stage’; moving to Melbourne, it was all about getting highly specific to the workplace dynamics of the Victorian city.