Jazzwise
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Jazzwise, the UK's biggest selling jazz monthly and the leading English language jazz magazine in Europe, has changed the way jazz magazines look and think with a stunning editorial and design package that reaches out to both the new jazz audience and established fans – qualities that have led to it winning Jazz Publication of the Year at both the Parliamentary Jazz Awards and the Ronnie Scott’s Jazz Awards, and Best Jazz Media at the 2013 Jazz FM Awards.
Every month Jazzwise's acclaimed team of writers takes you on the journey of your life: from the cutting edge of contemporary jazz, mainstream, fusion and free-jazz to jazz electronica and world music with hot news, gossip, nationwide gig guide, major features and the UK's most authoritative reviews section.
From the outer edges to the inner circles Jazzwise is committed to discovering new talent as well as extensive coverage of today’s scene and expansive retrospectives of jazz’s vibrant past. You simply can’t afford to be without it. Source
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Media Outlet details
| Scope | International, African-American/Black, Hispanic/Latine |
|---|---|
| Language | English |
| Country | United Kingdom |
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| Frequency | Monthly |
| Accepts contributed content | Yes |
Recent Articles
Search ArticlesKate Williams Trio: On The Wing of A Dragonfly
Contemplating Kate Williams’ first new CD release for eight years, I’m tempted initially to award maximum stars for Alban Law’s album artwork. A thing of beauty in itself. Happily for this listener, the music more than matches the visual impact of the art.
Bill Frisell: In My Dreams
Bill Frisell is one of those unique artists whose playing might be said to yield universal meaning since jazz, rock, country, blues, American folk and Americana aficionados are all able to relate to aspects of his style. Context is all, of course, but even then his playing is not limited by it. At age 75, as of March 2026, he has created a sextet for In My Dreams, comprising long-time playing associates who have populated many of his albums since the 1980s.
Ni Maxine: Mother’s Arms
This is a thoughtful debut set, by homegrown, Liverpool-based singer Ni Maxine, who has recently made waves wherever she has appeared. There’s a mesmeric quality to her voice, and to these drum-and-bass inspired arrangements, that hold an audience’s attention in any venue or, perhaps, in the relaxing space of one’s living room on a Sunday afternoon. There’s more than relaxation to this EP however.
Sara Colman and Rebecca Nash: Ribbons Vol. 1
An album which took shape over four years at the Royal Birmingham Conservatoire, where Nash and Colman are visiting teachers, Ribbons Vol. 1 celebrates a decade-long musical bond that runs deep, an intuitive understanding of each other's musical sensibilities that lies at the heart of this deeply affecting recording.
Andrea Motis: Intimate
This album showcases Motis’ vocals, and evidences some (elegantly subdued) trumpet work. She appears to transfer effortlessly between languages: there are songs in Spanish (her native language), Portuguese (bossa from Brazil), French (Brassens’ 'Je Me Suis Fait Tout Petit') and an eclectic selection of songs in English – Amy Winehouse’s ‘You Sent Me Flying’ for example, and ‘Freight Train’, Elizabeth Cotten’s 1906 American folk song.
Nubiyan Twist: Chasing Shadows
Nubiyan Twist return for a fifth album that maintains their maximalist approach – there’s strings, horns, rappers, vocalists, harps, various percussion ensembles, and everything else besides that you need to create a monumental array of contemporary jazz-fusion-afrobeat-hiphop-soul-whatever mashup, while including as many of the hip multicultural sounds from around the world as possible.
Gary Peacock/Ralph Towner: Oracle
A beautifully crafted album. The late Ralph Towner was unquestionably a virtuoso guitarist on both classical and 12-string, as he effortlessly demonstrates here. He is a lyrical player, as he shows on ‘St. Helens’ with the ability to focus on melodic development, yet frame his line with dazzling asides. Peacock is exceptionally well recorded, with the taste to avoid meeting virtuosity with virtuosity, yet each note counts, perfectly framing Towner’s flights of invention.
Bill Frisell: The Sound of Hope - Jazzwise
With one of the most recognisable guitar styles on the planet, Bill Frisell has managed to sound unique in countless ever-morphing line-ups. Ahead of his headline appearances at Cheltenham and Love Supreme Jazz Festivals, Stuart Nicolson traces the six-stringer’s path from lessons with Jim Hall, early works with Jan Garbarek and John Zorn to his stirring new album In My Dreams
Miles Davis: The Complete Live at the Plugged Nickel 1965
Although this “complete” set was first released in the mid-1990s, on Mosaic and on Columbia/Legacy, its reappearance as a part of the Miles Davis Centennial is as welcome as it is important. The packaging is less substantial to the 1995 eight CD box set, and comes with new liner notes, but ultimately it is the music, seven full sets recorded live at the Plugged Nickel on 22 and 23 December 1965, that is of overriding significance.
Shabaka: Of The Earth
Shabaka’s latest solo album is a sonic self-portrait, a time capsule that sums up where he’s been and hints at where he might be heading. It’s his first proper foray into production (he performed and produced everything on the record himself) and the results are engrossing.