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Recent Articles
Search ArticlesFrame By Frame - Final Destination (2000)
Year – 2000 Decade – 2000s Director – James Wong Cinematographer – Robert McLachlan Genre – Horror Keywords – 2000s Horror Studio – New Line Shooting Location – Vancouver and Victoria, British Columbia Aspect Ratio – 1.85 Format – 35mm film with spherical lenses Also check out the archive’s collection of frames sorted by category here.
Frame By Frame - Den of Thieves (2018)
Year – 2018 Decade – 2010s Director – Christian Gudegast Cinematographer – Terry Stacey Genre – Action Keywords – 2010s action; Heist Studio – STX Shooting Locations – Atlanta and Los Angeles Schedule – 48 days (5 in L.A. and the rest in Atlanta) Aspect Ratio – 2.39 Camera – Arri Alexa Mini Lenses – Arri Zeiss Master Primes Format – Digital (Super35-sized sensor) with spherical lenses Also check out the archive’s collection of frames sorted by category.
The Brutalist cinematographer Lol Crawley
“I know it’s probably not my place to say it because I’m involved with the film, but I really hope that (The Brutalist) is inspiring (and shows other filmmakers) that you can make a movie for this amount of money and have it be epic and have it take big swings thematically and creatively.
Frame By Frame - Bram Stoker’s Dracula (1974)
Year – 1974 Decade – 1970s Director – Dan Curtis Cinematographer – Oswald Morris Genre – Horror Keywords – Vampires; Dracula; 1970s horror; TV Movies Studio – CBS Shooting Locations – England; Yugoslavia Format – 35mm film with spherical lenses Also check out the archive’s collection of frames sorted by category.
Frame By Frame - Speak No Evil (2022)
Year – 2022 Decade – 2020s Director – Christian Tafdrup Cinematographer – Erik Molberg Hansen Genre – Horror Keywords – Danish Horror; Danish Movies; 2020s Horror; Shot on Alexa Studio – IFC Films; Shudder Shooting Locations – the Netherlands, Denmark and the Tuscany region of Italy Aspect Ratio – 2:39 Camera – Alexa Mini LF Lenses – Canon K35 Primes as the main set, augmented with Leica R lenses Format – Large format digital The Movie “I wanted the story to symbolize evil in the world and...
Frame By Frame - Smile (2022)
Year – 2022 Decade – 2020s Director – Parker Finn Cinematographer – Charlie Sarroff Genre – Horror Keyword – 2020s horror; Cursed Chain Studio – Paramount Filming Locations – New Jersey Shooting Schedule – 33 days Aspect Ratio – 2.0 Camera – Arri Alexa 65 Lenses – Arri Prime DNAs Format – large format digital Post – Smile used a film scan back process (after the digital intermediate, a film out is performed and then re-scanned back into the digital workflow) with the help of FotoKem colorist...
Frame By Frame - The Evil Eye (1963)
Year – 1963 Decades – 1960s Director – Mario Bava Cinematographer – Mario Bava Genre – Horror Keywords – Giallo; 1960s Horror; Italian Horror; Italian Films Studio – American International Pictures Shooting Locations – Rome, Italy Aspect Ratio – 1.66 Format – 35mm with spherical lenses Also check out the archive’s collection of frames sorted by category.
Frame By Frame - Saint Maud (2019)
Year – 2019 Decade – 2010s Director – Rose Glass Cinematographer – Ben Fordesman Genre – Horror Keywords – British Horror; 2010s Horror; British Films Studio – A24 Filming Locations – Exteriors were shot in the northern English coastal town of Scarborough, North Yorkshire; Interiors were shot in London Shoot Length – 5 weeks (4 weeks of principal and a week of additional shooting mid-post) Aspect Ratio – 2.39 Camera – Arri Alexa Mini Lenses – Canon K35 Also check out the archive’s collection...
Frame By Frame - Sleepwalkers (1992)
Year – 1992 Decade – 1990s Director – Mick Garris Cinematographer – Rodney Charters Genre – Horror Studio – Columbia Pictures Keywords – 1990s Horror; Stephen King Adaptations Shooting Locations – Los Angeles, California (set in rural Indiana) Shoot Length – 40 days Budget – $15 million Aspect Ratio – 1.85 Camera – Arriflex 535 Format – 35mm film with spherical lenses Also check out the archive’s collection of frames sorted by category here.