Minimalissimo
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Minimalissimo magazine is an exploration and celebration of minimalism, aiming to inspire creatives and showcase the best in the field of design. We also aspire to offer our readers a diverse understanding of minimalism, publishing daily articles focused on art, architecture, fashion, furniture and product design. Source
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| Scope | Trade/B2B |
|---|---|
| Language | English |
| Country | United Kingdom |
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Recent Articles
Search ArticlesSlope Egg Tray by TactileEveryday | Minimalissimo
The Slope egg tray by TactileEveryday brings a sense of occasion to one of the most familiar gestures of the day. Its folded geometry gives the humble egg a place on the table, turning storage into a small piece of everyday design. There is something quietly generous in this approach: taking an object so ordinary and giving it enough thought to become part of the simple pleasure of living.
Carolin Balas Pavisic with Carolin Balas Pavisic | Minimalissimo
M You have described space as your primary object of investigation. What first made you interested in space, not as architecture, but as something we actively experience and shape? CBP For me, space is something that absorbs our energy and comes alive through our presence. Shaping a space feels almost like a performance — an active exchange between ourselves and our surroundings.
Lapis Lounge Chair by Pablo Octavio | Minimalissimo
Lapis Lounge Chairs make a striking impression with remarkably little. Their simple, almost monolithic forms leave most of the work to the material itself. Each piece begins as a single block of soft foam, torn apart to shape the individual components. The resulting surfaces carry the irregularity of stone, while the arrangement of the pieces creates a natural modularity. A system that creates a landscape.
Norma | Minimalissimo
Norma approaches the problem of digital distraction from an unusually physical perspective. Rather than adding another interface to manage our attention, it gives focus a tangible boundary: a simple object to hold, place, and interact with. There is something compelling in that gesture. The weight of steel, the act of laying your phone down, or picking it up, the deliberate decision to engage with it.
Mapleton House by Atelier Chen Hung | Minimalissimo
Atelier Chen Hung Perched along the ridge of Queensland’s Blackall Range, Mapleton House takes its cues from the terrain to dialogue with it. Two recessed, monolithic volumes are angled towards the surrounding mountains, their rugged zinc-clad exterior giving the house an almost geological character. Inside, the mood shifts.
Step Stool by Stephen Chan | Minimalissimo
A simple arrangement of wooden blocks, inspired by an everyday observation: the odd ledge on public furniture that naturally becomes a place to rest your foot. Stephen Chan turns that everyday gesture into the defining detail of this stool. A single block steps slightly out of line, creating a perch while giving the otherwise elemental form its character. Simple geometry, with just a tweak to make it useful. And beautiful.
Desktop Folder by Blanked Studios | Minimalissimo
What happens when a digital icon becomes a physical object? Inspired by the š emoji, BlankedStudiosā Desktop Folder translates one of the most familiar symbols of the desktop into a precisely made piece of sheet metal. Its defining steep fold required a custom mould, turning what looks like a simple gesture into a surprisingly demanding exercise in fabrication. The result is deliberately direct: a folder, reduced to its essential silhouette.
Eames Pavilion System by Kettal | Minimalissimo
Kettal The Eames House may be one of modernism's most recognisable buildings, but it was never an isolated work. It formed part of a broader architectural exploration by Charles and Ray Eames: one rooted in prefabrication, modular construction and the belief that buildings should adapt as life changes. Developed by Kettal in collaboration with the Eames Office, the Eames Pavilion System revisits that body of work through a contemporary building system rather than a singular architectural object.
FSB 1138 Door Handle
Originally introduced in 1986, the FSB 1138 is one of Dieter Rams' most understated designs. Just relaunched by FSB, the handle remains remarkably faithful to the original, now re-engineered entirely in aluminum and joined for the first time by a black finish developed in close collaboration with Rams himself. Characteristically restrained, the FSB 1138 reflects the principles that have shaped Rams' work for decades: clarity of purpose, precise ergonomics and a form distilled to its essentials.
Salt by GRAU by GRAU | Minimalissimo
Salt is a cordless lamp by GRAU: a cone, a waist, and a shallow dish set on top. The dish is the whole optical idea. Light rises into it, meets a matte surface and returns as a soft ring, so the room is lit without the source ever coming into view. The rest is kept out of sight. The head is the dimmer, found by touch rather than by looking. A button underneath moves between clear light and a 1300 Kelvin orange with no blue in it, the temperature the body reads as evening.