If you’ve ever spent any real time in comics, you know the industry is as contradictory as it is colorful. On one hand, it’s a business built on imagination, where a radioactive spider bite or a magic word can change the world. On the other, it’s an assembly line in spandex, churning out product that needs to hit shelves every Wednesday whether inspiration shows up or not. For decades, I lived in the world of the “Big Two” publishers—Marvel and DC.