A new AI capability that delivers analysis-ready Media Intelligence. More than just a product launch, this is a shift in how communications teams monitor, understand and act on media coverage.
Overland – Australia’s only radical literary magazine – has been showcasing brilliant and progressive fiction, poetry, nonfiction and art since 1954. The magazine has published some of Australia’s most iconic voices, and continues to give space to underrepresented voices and brand-new literary talent every single day.
In 2018, Overland is a quarterly print journal (publishing essays, stories and poetry), and an online magazine publishing cultural commentary each week day, as well as occasional special online editions of fiction and poetry. The magazine also holds events, discussions and debates, hosts a number of major literary competitions, and runs a residency for underrepresented writers. Source
259: Feb/Mar 2026 In this highly anticipated new issue, we encounter brilliant examples of what writing can do in a hypernormal time – whether that's Benjamin Gready on the absurdity of fieldwork on land under active occupation or Zahid Gamieldien's short story about a dancing rat who finds itself enmeshed in systems too shadowy to be true. But, as with the emotional cycles of resistance, hope and snark are features too.
In 2024, Laakkuluk Williamson Bathory travelled to Toronto to cut open a fat, silver-haired seal beneath the glass ceiling of the Art Gallery of Ontario. The rules and regulations of the Canadian government were none of her concern.
Every so often, a court case arrives that seems, at first glance, too ugly to defend and too strange to ignore. The conviction of western Sydney erotic fiction author Lauren Ashley Mastrosa is one of those cases. In April 2026, Mastrosa was convicted of possessing, disseminating and producing child abuse material in contravention of the NSW Crimes Act after self-publishing an erotic novel, Daddy’s Little Toy, under a pen name.
You last saw him in New York for your mother’s third wedding, heedlessly flying out of Melbourne with little confirmation the country would allow you back in. It was a different time in the tail-end of 2021; elastic straps pinching behind the ears to secure polypropylene rectangles against everyone’s mouths, and the large stickers on the ground two metres apart caused longer queues in the airports and a sense of guilt for leaving your house at all. International travel, inherently selfish.
My friend sends me a reel of Troy Bolton during the montage in High School Musical — which is experimental and weirdly beautiful — where Troy, torn between basketball and music, is tearing his way down the empty school corridors, the camera turning upside down as he seems to climb up the walls. The reel is overlayed with the soundtrack of the trans film I Saw the TV Glow, full of longing and desire. It’s a perfect edit, an inspired pulling together of the two texts.
Dear A.Prof Champion, We are academics, writers, activists, and students, who write to urge you to rescind your acceptance of the Dan David Prize 2026. The Dan David Prize has been critiqued globally for a number of years on account of its normalising the colonial occupation of Palestine, and Israel’s apartheid regime.
Heat kills more Australians than floods, bushfires, and cyclones combined, yet it remains one of the least discussed public health problems in the country. The death toll alone should have been enough to start a national conversation. Between 2016 and 2019, researchers counted over a thousand heat-related deaths across the country, and the numbers showed something that public health officials had suspected for a long time. The people dying weren’t spread evenly across the population.
259: Feb/Mar 2026 In this highly anticipated new issue, we encounter brilliant examples of what writing can do in a hypernormal time – whether that's Benjamin Gready on the absurdity of fieldwork on land under active occupation or Zahid Gamieldien's short story about a dancing rat who finds itself enmeshed in systems too shadowy to be true. But, as with the emotional cycles of resistance, hope and snark are features too.
There is a particular kind of frustration that accumulates in universities. It’s the result of being told the university is poor, that there are uncertainties and headwinds that could turn into storms, that students are turning away, or failing to enrol at the rates the executive projected, that everyone must tighten their belts. And then watching new buildings go up. Hearing about investments in AI infrastructure.
“The French noun or”, as Toby Fitch explained in a paper in Cordite in 2018, “is two different words with two different Latin origins”. The first is a noun meaning “gold”, from the Latin aurum (with adjective “golden”, as in d’or, en or, doré). The other, from the Latin hora, is a conjunction meaning “now”, “but”, “in fact” or “as it happens” — or more rarely, Fitch notes, “thus” or “therefore”.