When I first started writing about the post production industry 20 years ago, technologies like color correction and compositing were still in their infancy. It was the heyday of the million-dollar post room, which was just beginning to go digital. Avid had introduced its nonlinear editor; SGI was bringing out its huge storage boxes; Discreet launched Flame and battled with Quantel for share in the compositing market. Source

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Scope National, Trade/B2B
Language English
Country United States of America
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