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Recent Articles
Search ArticlesVisual techniques for complex ideas
There’s no universal visual formula for explaining complexity. Abstract concepts, research reports, digital products, and personal memories all require a different approach. By looking at some projects created with Readymag, let’s look at how designers help people better understand what’s difficult to explain with words alone. Repetition makes variation visible “Outcomes Studies” by Non-Objective makes randomness visible through repetition.
Rethinking what’s possible with Readymag
Every creative tool comes with its own logic: familiar interactions, intended uses, and established ways of working. But occasionally, a designer looks at an everyday feature and sees the possibility for something entirely different. What happens when a designer approaches a tool as something flexible, malleable, and open-ended, rather than a fixed set of capabilities?
How aesthetic labels are changing creative work
If you spend any time online, you’ve probably noticed that every week seems to bring a new visual “core” or micro-category—whimsical design, analog aesthetics, cybercore, indie sleaze, the Frutiger Aero revival, hyperfemininity, or brutalism once again. The Aesthetics Wiki currently lists 1,075 aesthetics, ranging from widely recognized to highly niche.
How we give design feedback
Over time, the Readymag design team has developed a set of practices that shape how feedback is given and received. Alexander Moskovskiy, Readymag’s head of design, shares how feedback works within the team and the practices that shape it, with a focus on design feedback—discussions of the work itself rather than broader conversations about collaboration. Alexander Moskovskiy, head of design at Readymag “When a designer completes a task, it matters to me that the result turns out well.
Why is contemporary design asking for our participation?
For years, designers were guided by a clear goal: make experiences faster, smoother, and easier to navigate while creating brands and systems that were largely presented to audiences rather than molded by them. Yet across branding, packaging, and web design, a different approach is emerging—one that asks people to explore, interact, customize, contribute, and participate. But what happens when designers stop optimizing solely for efficiency and start designing for involvement?
What makes a designer or studio memorable?
In the creative industry, memorability is often associated with recognizable aesthetics—a telling visual language or recurring stylistic cues. But while it may be easy to identify what makes a creative’s work distinct, it’s harder to trace how a designer or studio becomes memorable over time. Are there certain ways of working that help build memorability? Can memorability be consciously cultivated, or does it emerge slowly through repetition, trust, and experience?
A smaller screen needs a different story
For designers, mobile layout often becomes a second project altogether. That’s because a smaller screen rarely asks for a smaller version of the same story, and what feels cinematic on desktop can become overwhelming on mobile. That’s why adapting a website for mobile is rarely just about making things smaller. This article includes insights from Readymag’s marketing designer Francisco Pires reflecting on his recent sites made with Readymag. Shrinking vs.
Less generation, more judgment: How Foreign Policy approaches design in the AI era
Foreign Policy is an award-winning strategy and design office based in Singapore. Over the past 20 years, the studio has gone through multiple technological and industry shifts while remaining independent throughout. Yah-Leng Yu, Foreign Policy’s founding partner and creative director, shares below how AI has changed their process, what designers should learn to stay relevant in the coming years, and why offline gatherings are still one of the most valuable things you can do.
How alternative learning spaces are reshaping creative education
For many creatives, the end of formal education leads to a process of unlearning—questioning inherited methods and figuring out what holds up outside the classroom. As creative work evolves, traditional methods of education can start to feel out of sync. It’s in this gap between education and practice that a different kind of learning finds its place.
No straight lines. What the Readymag team unlearned after their degrees
As we worked on UNLEARNED, Readymag’s editorial exploration of what happens after design school, we began reflecting on our own experiences with formal education: what it gave us, what it overlooked, and what only became clear later. In this piece, the Readymag team shares how expectations met reality, and what we each had to unlearn along the way.