ScreenFish Online

Online/Digital
ScreenFish.net is a non-profit website devoted to engaging the stories that matter in our culture. Although we’re willing to speak with narratives in various streams, our primary focus is in the area of television and film. In other words, anything on a screen. Why? Because Screens Reveal… Identity We at ScreenFish believe that the stories we tell reveal who we are. Through the narratives that we share, we recognize that they are often windows into the deepest longings of our souls. In this space of freedom to express ourselves, we believe it is an opportunity to engage these points of view from an open and faith-based perspective. Values We at ScreenFish believe that the arts offer echoes of deeper spiritual callings and realities. As a faith-based site, we recognize that our God is a creative God and story-telling is one manner in which He seeks to inform and engage our world. We at ScreenFish, seek to examine and engage these spiritual imprints in an effort to discover God’s voice where it is active in our world today. Community We at ScreenFish recognize that narratives such as film and television are a key way in which we are brought together as our world. By sharing our stories with one another, we create spaces for conversation around the things that matter most to us while, at the same time, listening to each other in humility and grace. Source

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Scope Consumer
Language English
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Blood Lines: Maurice’s soapy drama still has power in the blood

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By Steve Norton
| ScreenFish Online
Never discount the power of blood lines. Written and directed by Gail Maurice, Blood Lines tells the story of Beatrice (Dana Solomon), a young Metis woman whose life is upended by the return of her mother, Lenore (Maurice). Having abandoned her daughter as a child, Lenore’s mysterious return allows old wounds to resurface within Beatrice. However, those feelings of rage are supplanted by the arrival of Chani (Derica Lyn Lafrance), a beautiful stranger who is searching for her roots.
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The Agency S2: How do Risks Pay Off?

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By Daniel Eng
| ScreenFish Online
In a remake of the French series The Bureau, The Agency is an American take on the undercover spy thriller. For this second season, we are left waiting to see the consequences or rewards facing protagonist Brandon “Martian” Colby (Michael Fassbender) after making a deal to become a double agent for MI6 while continuing to work behind a desk for the CIA.
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Maddie’s Secret: Early’s comedy is best at empathy

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By Steve Norton
| ScreenFish Online
Some Secrets are worth sharing. Directed by John Early, Maddie’s Secret follows Maddie (Early), a plucky dishwasher who aspires to make it as a food content creator. Although she’s been overlooked by her boss, Maddie has real talent, changing everyday vegetables into edible masterpieces. However, when a viral video suddenly makes her the next up-and-coming chef superstar, Maddie’s life is upended overnight.
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Leviticus: Where Desire and Fear Intersect

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By Sahana Pirapakaran
| ScreenFish Online
What if the person you desire the most is also the person you can’t safely be near? Worse yet, what if being close to them could get you killed? This is the eerie premise behind Leviticus, a gender-expressive horror debut written and directed by Adrian Chiarella, where desire and danger intertwine.
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Girls Like Girls: Hayley Kiyoko takes us into the heart of teens

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By Steve Norton
| ScreenFish Online
Hayley Kiyoko has a story to tell. Based on her song of the same name, Girls Like Girls tells the story of Coley (Maya da Costa), a teenager who has just moved in with her (formerly) estranged father (Zach Braff) after the death of her mother. As she settles in to her new home, she meets Sonya (Myra Malloy), a popular local girl who takes her under her wing.
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The Death of Robin Hood: Sarnoski’s violent fairy tale finds its soul

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By Steve Norton
| ScreenFish Online
Robin Hood is back. But this is no merry man. Directed by Michael Sarnoski, The Death of Robin Hood finds Robin Hood (Hugh Jackman) as an aged man who is wrestling with the cruelty of his past. Nearing the end of his life, he spends his days on the run from the offspring of his past victims. When he’s gravely injured in a battle he believed to be his last, Robin finds himself in an unexpected sanctuary.
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Toy Story 5: There’s still a lot of life in these toys

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By Steve Norton
| ScreenFish Online
The toys are back in town. And it’s an absolutely magical return. In Toy Story 5, Jessie (Joan Cusack), Buzz (Tim Allen) and the rest of the toys are having a great time playing with Bonnie. However, Bonnie is beginning to realize that her friends don’t have the same interests as her anymore. This leads her parents to buy her a LilyPad (Greta Lee), a new device that will help her connect with her friends in a whole new way.
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TJFF: The Legend of Juan Jose Mundo

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By Steve Norton
| ScreenFish Online
Directed by Michael Walker, The Legend of Juan Jose Mundo tells the story of Julie (Anna Mirodin), a teenage girl who’s life is upended when a gorgeous Spanish exchange student moves in with them. Tasked with showing him around, Julie is instantly attracted to his. As Juan Jose connects with the popular group, she’s drawn into a world adulthood feels both ever so close and far away at the same time. With Juan Jose, Walker fully embraces the emotional chaos that was the 1980s.
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Stop! That! Train!…. and AI!

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By Raevin Larue
| ScreenFish Online
Stop! That! Train! kicks off a summer of fun blockbusters, and this movie is a hilarious delight. The film arrives like a blast from a different cinematic age. In 2026, comedies are hard to pull off, and cultural sensibilities are more divided than they have ever been, but this film makes it impossible not to laugh.
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Mark O’Brien & Sheila McCarthy | THE VOICES OF OUR MOTHER

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By Steve Norton
| ScreenFish Online
In this ScreenFish 1on1 Interview, director Mark O’Brien and actor Sheila McCarthy discuss THE VOICES OF OUR MOTHER, reflecting on the emotional process of confronting family trauma together through storytelling. They explore the idea of evil as an infection—something that spreads, distorts, and must be understood before it can be healed.
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