Sequencer

Sequencer is a place to decode our world with stories about science. It’s a venue for readers who care about pressing scientific questions and appreciate the weird, exciting, rage-inducing, spine-tingling, mind-bending, or even hilarious phenomena around us. It’s a platform for perennially curious journalists who don’t take themselves too seriously. It’s an invitation to discover alongside us. We – Dan, Kim, Maddie, and Max – are not just the writers and editors, we’re also the founders and owners. We’re established science journalists and alumni of The Daily Beast, Scientific American, WIRED, Quanta, Smithsonian, C&EN, and more. We’re also all former scientists. Sequencer is our experiment. Like any good experiment, Sequencer exists atop a heavily researched, rigorously tested, science-backed hypothesis: Traditional science media is broken, so it’s time for something new. This is typically how the sausage gets made in our industry: A scientist, usually someone who works at one of a handful of American or European universities, publishes their new work in a prestigious journal. Their well-funded institution’s PR team crafts a press release, puts the work under embargo, and emails it to journalists on their press list. When it works, this model earns many important labs their 15 minutes of fame; millions of people learn about a breakthrough. But when it's the governing model of science journalism, it constrains any content to bounds that are sterile and homogenous. There’s little room for analysis and perspective about the work that goes into doing science, let alone criticism or any reckoning with the future. At a time where climate change is laying waste to the planet and a historic pandemic trudges on and on, science journalism is too-often blank-faced and credulous. That’s all assuming the model works. More and more, we’re realizing that it doesn’t. Bedrock science publications are dying. Or rather, they’re being actively killed by layoffs, predatory venture capital firms, and mega-conglomerates that keep inexplicably pivoting to video. It would be funny if it weren’t so bleak. Source