Seattle Gay News

Seán Hewitt’s Open, Heaven, published by Knopf, delves into the overwhelming, irrational, and often confusing nature of a first crush. Readers may find themselves reflecting on their own early experiences — who that person was, how significant they felt at the time, and how little they understood. Hewitt masterfully captures what only the finest fiction can achieve: a nostalgic longing for the past.

On the map of developing countries in South America, Brazil stands out among its neighbors in the field of Queer health. It has become a global leader in the treatment of people living with HIV/AIDS, pioneering various social initiatives that have established it as a successful model for responding to the disease.

No Seattle Pride parade today would feel complete without the procession of a certain leathered-up armada and its unmistakable roar of engines. The tale of Dykes on Bikes — built out of a necessity for community among Lesbians and the Sapphically aligned that share a love for riding on two wheels — is as spontaneous and multifaceted as the history of Pride itself. Dykes on Bikes first came into being after the 1976 San Francisco Pride Parade.

The United States of America commemorates its 250th anniversary of independence today, but I struggle as a Transgender citizen to find any reason to feel patriotic or celebratory about it.

The list of good films — let alone great ones — based on or inspired by memorable songs is short. Earth Girls Are Easy? Maybe. Alice’s Restaurant? I might give you that one — it’s quirky and weird. Love Potion No. 9? Absolutely not, and I’d be ashamed if it were brought up. Harper Valley P.T.A.? Great, now I’m ashamed of myself for mentioning it at all. Seriously, though, it’s not a great group to be in.

I can’t say Girls Like Girls is the most original Lesbian coming-of-age melodrama I’ve ever seen. There are elements reminiscent of everything from Desert Hearts to Water Lilies — and, you know what? Who cares. I certainly don’t. Writer and director Hayley Kiyoko has taken her hit 2015 pop song and music video and transformed them into something truly special: a delicately lithe and empathetic sojourn into summertime love that held me spellbound.

The subtitle of D.W. Hamilton’s compelling, surrealist debut novel tells us that it is a supernatural murder mystery, and the cover notes that it contains 23 poems and 6 spells. Those few hints, along with the cover art. might be enough to draw you in, but the author’s foreword, explaining how he deliberately mixes surrealism into a mystery genre novel, should give you a pretty good idea of what’s to come. And Hamilton delivers.

Before social media and the internet dominated nearly every facet of modern life, Queer people had very few outlets to express themselves authentically. In the realm of print media, there weren’t many public forums in which to discuss queerness besides the SGN and other LGBTQIA+ publications (that had op-ed and classified sections).

Harsh fluorescent tubes buzzed an unrelenting 60-hertz hum against the drop-ceiling of Cloud Medical Center. Midnight in the emergency room offered no reprieve. Scrubbing her raw hands with antibacterial foam, 27-year-old surgical resident Iris Min stared at the stainless-steel basin. The water ran hot enough to scald. Bracing her forearms against the sink’s edge, she ignored the leaden ache anchoring her lumbar spine. Her father’s timeline demanded absolute perfection.

Dreams are central to four outstanding productions of the Oregon Shakespeare Festival (OSF) 2026 season, out of the seven I attended. For Shakespeare’s joyful comedy A Midsummer Night’s Dream, no explanation is needed.