Philip Szporer: Nothing is a given in Dana’s Michel new work, Mercurial George. In the first minutes, we see her crawling across the stage on all fours; her head is shorn of its trademark dreadlocks; she’s bare-breasted, wearing white tights and sneakers. When she settles into place, surrounded by large bags full of objects, she appears broken, unsettled, somewhat dazed. The body is reticent, a hand searches, reaching out, and then abandons the task. It’s as if she’s suspended in uncertainty.