Angie Han
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I'm a reviewer, but I don't review food, books or movies 🤔 Currently tv critic @thr; previously @mashable @slashfilm. (Also I do review movies sometimes.)
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Articles by Angie Han
‘The Body’ Review: Despite Modest Blessings, Netflix’s Catholic Schoolgirl Horror-Drama-Satire Leaves Much to Be Desired Original
'The Body' Courtesy of Netflix The girls of St. Marks Catholic High School are no saints. They spend their weekends drinking and dancing and hooking up at parties; they spend their schooldays gossiping and lying and keeping secrets. At one point, they invoke Satan as a joke and then seal the pseudo-ritual by dropping molly, unwittingly kicking off a chain reaction of events that will threaten to swallow their town whole. If only the sins committed by their show were nearly as exciting.
‘It Gets Worse’ Review: Paramount+’s Hilariously Observed, Affectionately Drawn Comedy About the Agony and Ecstasy of Early Adulthood
'It Gets Worse' Ana Blumenkron/A24 Films/Paramount Accused at some dismal sex party of using humor as a defense mechanism, Ethan (creator Leo Reich) turns the tables on the pretentious prig who dares to judge him. “What is wrong with all of you people?” he scoffs. “You can’t laugh at yourselves. And it’s so sad, because you’re missing out on a really funny joke.” Ethan, by contrast, could never be accused of missing the joke.
‘It Gets Worse’ Review: Paramount+’s Hilariously Observed, Affectionately Drawn Comedy About the Agony and Ecstasy of Early Adulthood
VisionQuest Confirms Vision’s Code Has More Stark Industries Tech Than We Realized VisionQuest has done a masterful job of exploring who the Vision is in just seven episodes, taking MCU fans on an exciting trip into his source code. …
‘It Gets Worse’ Review: Paramount+’s Hilariously Observed, Affectionately Drawn Comedy About the Agony and Ecstasy of Early Adulthood
Angie Han Thu, 5 November 2026 at 8:37 pm UTC 6 min read Add Yahoo as a preferred source to see more of our stories on Google. ‘It Gets Worse’ Review: Paramount+’s Hilariously Observed, Affectionately Drawn Comedy About the Agony and Ecstasy of Early Adulthood Accused at some dismal sex party of using humor as a defense mechanism, Ethan (creator Leo Reich) turns the tables on the pretentious prig who dares to judge him. "What is wrong with all of you people?" he scoffs.
‘Black Doves’ Season 2 Review: Keira Knightley and Ben Whishaw Return for More Crackling Chemistry and Bittersweet Thrills in Netflix Spy Thriller Original
'Black Doves' Matthew Towers/Netflix En route to a murderous mission, trunk loaded with what must be a small platoon’s worth of machine guns and hand grenades, four deadly operatives suddenly find themselves mired in a heated battle … over who gets to control the playlist. Zoomer assassins Williams (Ella Lily Hyland) and Eleanor (Gabrielle Creevy) like to hype themselves up to raucous party music (“Picture this, I’m a bag of dicks”).
‘Nocturne’ Review: Liev Schreiber and Stephen Graham Get Handcuffed by Clichés in Apple’s Dully Competent Serial Killer Thriller Original
Stephen Graham and Liev Schreiber star in Apple TV series 'Nocturne.' Courtesy Apple TV Of all the sins anyone might accuse Jurek Walter (Stephen Graham) of committing, failing to play his narrative role could never be one of them. The convicted murderer is first seen inducing a man to bash in his own skull, purely through the power of persuasion.
‘The Mosquito Bowl’ Review: Nicholas Galitzine and Bill Skarsgard in Peter Berg’s Technically Impressive, Emotionally Hollow Netflix War Drama Original
'The Mosquito Bowl' Kane Skennar / Netflix The Mosquito Bowl, Peter Berg’s new World War II drama for Netflix, sets the tone right away with a famous Herbert Hoover quote. “Older men declare war,” it goes. “But it is youth that must fight and die.
‘Nobody Wants This’ Season 3 Review: Kristen Bell and Adam Brody’s Netflix Romance Levels Up but Can’t Ditch Old Habits Original
'Nobody Wants This' Courtesy of Netflix If nothing else, give Nobody Wants This credit for allowing itself a tiny bit of growth: After two seasons of exhaustingly circular conflict about whether a good-boy rabbi like Noah (Adam Brody) could ever really be with an agnostic Gentile sex podcaster like Joanne (Kristen Bell), season three begins not only with the couple moving in together, but Joanne starting Jewish conversion classes. Finally, we’ve graduated from asking if to asking how.
‘Nobody Wants This’ Season 3 Review: Kristen Bell and Adam Brody’s Netflix Romance Levels Up but Can’t Ditch Old Habits
5 hours ago You know that song that goes, "I would do anything for love, but I won't do that?" Well, these heart-eyed celebs probably should've thought about that before wayyy oversharing about their relationships. Here are 19 embarrassing celebrity relationship moments: 1. In 2021, Kristen Bell shared an …
Crítica VisionQuest : Paul Bettany y James Spader le dan un toque especial a este spin-off de Marvel, que a veces conmueve y agota
VisionQuest comienza con un viaje al pasado. En realidad, no tiene más remedio. Esta última serie dramática de Disney+ es un spin-off de un spin-off, que retoma una trama que ya tiene 11 años y que se ha vuelto casi incomprensiblemente compleja, incluso para los estándares multiversales del Universo Cinematográfico de Marvel. Los fans que han seguido esta historia desde el primer día probablemente agradecerían un repaso.
‘Yaga’ Review: Carrie-Anne Moss and Hudson Williams in AMC+’s Intriguing but Undercooked Brew of Modern Crime and Ancient Folklore
Carrie-Anne Moss in ‘Yaga.’ Christopher Lawrence/Crave Perhaps it is only appropriate that Yaga, the new genre-bending thriller from AMC+ and Crave, should feel so devilishly difficult to pin down. After all, it’s only doing what myths have always done, which is transform — to reflect a new context, introduce a fresh perspective, impart an updated moral.
‘VisionQuest’ Review: Paul Bettany and James Spader Elevate Disney+’s Sometimes Moving, Sometimes Exhausting Marvel Spinoff Original
Paul Bettany in 'VisionQuest.' Marvel VisionQuest opens with a trip down memory lane. Really, it kind of has to. The latest Disney+ drama is a spinoff to a spinoff, picking up a now-11-year-old storyline that’s grown almost incomprehensibly gnarled even by the multiversal standards of the Marvel Cinematic Universe. Fans who’ve followed this story from day one would probably still welcome a refresher.
'Treasure Island' review: David Oyelowo & Hayley Atwell in MGM+ mini
You cannot fault Treasure Island , MGM+'s new take on the Robert Louis Stevenson classic, for a lack of effort. Where some adaptations of beloved literary works might be content to recreate the source material beat for beat, creator Robert Murphy reimagines it wholesale. Characters and plot elements are mixed and matched with abandon. Themes of subjugation and rebellion are brought to the forefront, while real historical events like the Haitian Revolution play out in the background.
‘Treasure Island’ Review: David Oyelowo and Hayley Atwell Can Only Breathe So Much Life Into MGM+’s Handsome but Undercooked Pirate Adventure
Alex Gibney 4 hours ago ‘Musk’ Documentary Suggests DOGE’s Real Purpose Was Something Else Entirely HuffPost - Sara Boboltz • 4h “What is Elon building? What are his goals?” former partner Ashley St. Clair asks in the film.
Sam Rockwell in Brad Bird Netflix neo-noir cartoon
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‘Ray Gunn’ Review: Sam Rockwell and Scarlett Johansson in Brad Bird’s Forgettable Netflix Animated Neo-Noir Original
'Ray Gunn' Courtesy of Netflix Ray Gunn (Sam Rockwell), private eye, is special. He’s “the only honest player in a crooked game,” the only dick who prioritizes things like truth and justice over cold hard cash. In a retrofuturistic society where aliens are disdained as second-class citizens, he’s the rare human who stands up for extraterrestrials. Some scorn him for his heroism; others admire him for it; all agree he’s something of an oddity.
‘Avatar: Seven Havens’ Review: Paramount+’s Promising Addition to a Beloved Fantasy Franchise Original
'Avatar: Seven Havens' Paramount+ Told that she is the Avatar, Pavi (Saheli Khan) reacts not with excitement or curiosity but unhappy disbelief. “I can’t be an avatar. I’m no warrior,” she protests. Pavi is a gentle soul who hates the idea of hitting even dummies in target practice; she can’t possibly be the chosen one destined to fight for her world.
‘Tip Toe’ Review: Alan Cumming and David Morrissey Fire Up Russell T. Davies’ Searingly Relevant Starz Drama About Violent Bigotry Original
'Tip Toe' Starz The latest series by Russell T. Davies takes its title from an unhappy comment made by a character in its premiere. “I used to walk into a room and just go, ‘Ta-da!’” recalls Melba (Paul Rhys), an out and proud 60something in dramatic eyeshadow and a bright red lip. But now, “I tiptoe.
‘Kill Jackie’ Review: Catherine Zeta-Jones Leads AMC+’s Drab Misfire of a Thriller
Catherine Zeta-Jones in 'Kill Jackie.' Unai Mateo/Fremantle and Steel Springs Pictures Several times in the first episode of AMC+’s Kill Jackie, the question comes up of whether its protagonist (Catherine Zeta-Jones) might be a bit bored.
‘Kill Jackie’ Review: Catherine Zeta-Jones Leads AMC+’s Drab Misfire of a Thriller
Several times in the first episode of AMC+'s Kill Jackie, the question comes up of whether its protagonist (Catherine Zeta-Jones) might be a bit bored.
‘War’ Review: Sienna Miller and Dominic West Face Off in HBO’s Addictively Juicy Legal Drama
'War' Justin Downing/Sky/HBO A few episodes into HBO’s juicy legal drama War, I was struck by a thought as unexpected as it was unserious: Did I want to get a divorce? Mind you, I’m perfectly happy in my marriage, with no reason whatsoever to leave it; I knew even as I formulated those words that they were a joke. But the fact that they’d occurred to me at all is a testament to the skill of creator George Kay.
‘War’ Review: Sienna Miller and Dominic West Face Off in HBO’s Addictively Juicy Legal Drama
A few episodes into HBO's juicy legal drama War, I was struck by a thought as unexpected as it was unserious: Did I want to get a divorce? Mind you, I'm perfectly happy in my marriage, with no reason whatsoever to leave it; I knew even as I formulated those words that they were a joke. But the fact that they'd occurred to me at all is a testament to the skill of creator George Kay.
Crítica: Monster, The Lizzie Borden Story : La nueva serie de Ryan Murphy sobre asesinos seriales en Netflix es un disparate con falso discurso feminista
En la última hora de Monster: The Lizzie Borden Story de Netflix, la asesina que da título a la serie, después de finalmente hacer las paces con el acto de violencia que ha definido su vida, se vuelve hacia la fiel compañera que ha estado a su lado durante todo ese tiempo. “Está bien”, le dice. “Hagamos que esto signifique algo”. Lizzie (Ella Beatty) se refiere a su riqueza y a la fama que ha adquirido, las cuales quiere convertir en una fuerza para hacer el bien.
‘A Different World’ Review: Netflix College Comedy Takes a Beloved Classic Into a Lively New Era, With Charm and Smarts to Spare Original
From left: Alijah Kai, Maleah Joi Moon and Kennedi Reece in 'A Different World.' Daniel Delgado Jr/Netflix In its first few episodes, Netflix’s A Different World does not quite live up to its title. Sure, the Hillman College we first encountered in the 1980s looks different now, full of modern young people with their modern concerns and their modern fashions and their modern music (beginning with an updated opening theme by Brandy).
‘Line of Fire’ Review: Peter Krause and Hope Davis Lead NBC’s Silly but Diverting Law Enforcement Family Drama Original
'Line of Fire' Spencer Pazer/NBC You can see how it might be difficult, in 2026, to make yet another show about federal agents stand out. Already there are shows titled FBI and CIA and Marshals, shows about people in the FBI or the CIA or the Secret Service but not named after them, shows about their international counterparts. NBC’s latest addition to that catalogue tries to distinguish itself by taking a more maximalist approach to the genre, and wedding it to another well-worn TV genre besides.
The best films of the fall festivals: THR critics' picks
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DAU (Venice) At once immense and intimate, political, historical and personal, Ilya Khrzhanovsky's loose biopic of Russian physicist Lev Lendau is the kind of shoot-for-the-moon feature that rarely happens anymore — and certainly not like this (the shoot relocated hundreds of actors and thousands of extras inside a giant simulacrum of the Soviet era, their daily interactions captured by a roving team of camera and sound technicians).
By David Rooney Verified, Leslie Felperin, Daniel Fienberg Verified, Jon Frosch Verified, Angie Han Verified, Sheri Linden Verified, Jordan Mintzer, Jourdain Searles Verified
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The Best Films of the Fall Festivals: THR Critics’ Picks Original
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Clockwise from top left: 'Misty Green,' 'Possible Love,' 'The Debut' and 'You Can See Everything.' Courtesy of A24 (3); Courtesy of Netflix Along with Sundance in January, Berlin in February and Cannes in May, the fall festival trifecta of Venice, Telluride and Toronto almost invariably yields many of the films destined to keep percolating in the conversation from critics’ group awards in December all the way to the Oscars mid-March.
By David Rooney Verified, Leslie Felperin, Daniel Fienberg Verified, Jon Frosch Verified, Angie Han Verified, Sheri Linden Verified, Jordan Mintzer, Jourdain Searles Verified
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The Hollywood Reporter
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‘Youth’ Review: Sharon Horgan’s HBO Comedy Is a Fun, Frisky, Bracingly Honest Portrait of Midlife
'Youth' Seen one way, the title of HBO’s new Youth is clearly ironic. Its protagonist, Alex (creator Sharon Horgan), is not some bright-eyed 20something making her way in the big city, but a 50something divorcée; her driving concern is not what to do with a future that stretches endlessly before her, but how to make the most of one she fears is rapidly closing shut.
‘Monster: The Lizzie Borden Story’ Review: Ryan Murphy’s Latest Netflix Serial Killer Saga Is Faux-Feminist Nonsense
'Monster: The Lizzie Borden Story' In the final hour of Netflix’s Monster: The Lizzie Borden Story, the titular murderess, having finally made her peace with the act of violence that has defined her life, turns to the loyal companion who’s been by her side through it all. “Okay,” she says. “Let’s make it mean something.” Lizzie (Ella Beatty) is talking about her wealth and notoriety, which she wishes to channel into a force for good.
‘Magazine’ Review: A Deceptively Modest, Keenly Observed Snapshot of a Young Woman’s Coming of Age Within an Industry on the Brink Original
Lily McInerny in 'Magazine.' TIFF To hear editor-in-chief Mickey (Jake Lacy) tell it, publishing a literary magazine isn’t just a matter of writing, editing, designing art, selling ad space. It’s building a temporary community of contributors, permanently frozen within a particular configuration of columns and page breaks.
‘Magazine’ Review: A Keenly Observed Snapshot of a Young Woman’s Coming of Age Within an Industry on the Brink
The five best series to watch on Netflix this weekend If you’re planning to let Netflix do its thing this weekend, first things first: get that watchlist ready and stock up on those munchies. Although …
‘Rapinoe’ Review: Doc Portrait of American Soccer Icon Is Engaging and Inspiring, if Necessarily Incomplete Original
'Rapinoe' Courtesy Story Syndicate The career highlights and basic biographical details of U.S. soccer legend Megan Rapinoe are not hard to find. Considering she’s spent well over a decade as one of the most famous athletes in the world, that information can be located in countless profiles and interviews, her Wikipedia page, her own memoir.
‘Zero Intention of Living Quietly’ Review: Doc About ‘A Different Man’ Star Adam Pearson Is Moving, When It’s Not Getting in Its Own Way Original
'Zero Intention of Living Quietly' Ventureland At some point in the last 10 to 15 years, the phrase “representation matters” crossed over, at least for me, from a key directive to a tired cliché.
‘Crew Girl’ Review: Netflix’s Latest YA Sports Drama Checks All the Expected Boxes, but Not Much More Original
'Crew Girl' Courtesy of Netflix As far as bingeable YA dramas go, Crew Girl is probably good enough.
Crítica: The Debut : Julianne Moore y Paul Giamatti son dinamita juntos en la entretenida comedia de Jesse Eisenberg
Cuando Mona (Julianne Moore) le cuenta a un amigo que hizo una audición para una producción de una obra llamada Nosy Neighbors en el teatro de su localidad, él admite que nunca le han gustado los musicales. Simplemente no le parecen auténticos, explica, porque los personajes siempre rompen a cantar. ¿Quién hace eso? Bueno, nadie, ni siquiera en el musical The Debut.
‘Practical Magic 2’ Review: Sandra Bullock and Nicole Kidman Still Charm in a Slapdash Sequel That Doesn’t
Nicole Kidman in “Practical Magic 2." Jaap Buitendijk/Warner Bros. “I’m sure you’ve heard tell of the Owens sisters,” begins the opening narration to Practical Magic 2. If you have, the movie suggests, here’s your invitation to drop in on their rambling New England home once more, after all this time — and as an exercise in nostalgia, the film works well enough to conjure a few warm sparks, if not quite to cast its own spell. If, on the other hand, you haven’t heard of the Owens sisters?
‘Tenzing’ Review: Tom Hiddleston and Genden Phuntsok Lead Apple’s Staid Mount Everest Drama Original
Tom Hiddleston and Genden Phuntsok in 'Tenzing.' AppleTV The most moving relationship in Tenzing, Jennifer Peedom’s new narrative feature about the mountaineer, is not the one between Tenzing Norgay (Genden Phuntsok) and Edmund Hillary (Tom Hiddleston), who in 1953 would become the first humans to summit what the British call Mount Everest. It isn’t the hard-won mutual respect between Tenzing and his fellow Sherpa, Pasang (Tenzin Jigmey), nor his fierce love for his wife, Dawa (Thinley Lamo).
‘Tenzing’ Review: Tom Hiddleston and Genden Phuntsok Lead Apple’s Staid Mount Everest Drama
13 hours ago Tom Hiddleston and Hayley Atwell have a decades-long friendship, from meeting in an audition for drama school to (separately) joining the MCU to now starring in a modernized version of William Shakespeare’s “Much Ado About Nothing.” They're also set to appear in "Avengers: Doomsday."
‘Dang!’ Review: Stephanie Hsu and Poppy Liu in Netflix’s Zany but Inconsistently Amusing Animated Take on Young Adulthood Original
'Dang!' Courtesy of Netflix As a general rule, I find it easy to want to like Zillennial hangout comedies, even when I initially do not. Having once been 20something and incredibly annoying about it myself, I’m inclined to give my younger self’s TV counterparts the benefit of the doubt for their abrasive edges or bratty posturing.
‘Alpha Gang’ Review: Cate Blanchett, Léa Seydoux and Dave Bautista Get Stranded in a Sci-Fi Comedy That’s All Flash and Zero Substance Original
'Alpha Gang' Michael Gioulakis Watching Alpha Gang, the new sci-fi comedy from Sasquatch Sunset filmmakers David and Nathan Zellner, it is very easy to imagine what a thrill it must have been to cook up the look of the thing. The leads — a small squadron of aliens who’ve infiltrated our planet — are decked out in the studded leather jackets of a 1950s motorcycle gang.
‘You Can See Everything’ Review: Elizabeth Holmes Doc From Nathan Fielder and Lance Oppenheim Is Fascinatingly Slippery, Dizzyingly Clever Original
'You Can See Everything' A24 Elizabeth Holmes would like you to know that she has never lied. Not just about Theranos — about anything ever, she insists, her startlingly large eyes shining with conviction. She’s only been misunderstood because she thinks so differently, or misrepresented by outside parties pushing their own cynical agenda. You Can See Everything, a new documentary about the billionaire turned convicted fraudster, is ostensibly her attempt to change all that.
Julianne Moore, Paul Giamatti in theater comedy
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‘The Debut’ Review: Julianne Moore and Paul Giamatti Are Dynamite Together in Jesse Eisenberg’s Entertainingly Offbeat Theater Comedy
When Mona (Julianne Moore) tells a friend she's auditioned for a production of a show called Nosy Neighbors at their local theater, he admits he's never liked musicals. They just don't feel authentic, he explains, the way the characters are always bursting into song. Who does that? Well, no one, not even in the musical-loving The Debut. But among the first of the film's sly tricks is that it builds a world in which it feels like people could, where in fact it feels more unnatural that they don't.
‘The Debut’ Review: Julianne Moore and Paul Giamatti Are Dynamite Together in Jesse Eisenberg’s Entertainingly Offbeat Theater Comedy
The Debut A24 When Mona (Julianne Moore) tells a friend she’s auditioned for a production of a show called Nosy Neighbors at their local theater, he admits he’s never liked musicals. They just don’t feel authentic, he explains, the way the characters are always bursting into song. Who does that? Well, no one, not even in the musical-loving The Debut.
‘The Debut’ Review: Julianne Moore and Paul Giamatti Are Dynamite Together in Jesse Eisenberg’s Entertainingly Offbeat Theater Comedy
When Mona (Julianne Moore) tells a friend she's auditioned for a production of a show called Nosy Neighbors at their local theater, he admits he's never liked musicals. They just don't feel authentic, he explains, the way the characters are always bursting into song. Who does that? Well, no one, not even in the musical-loving The Debut. But among the first of the film's sly tricks is that it builds a world in which it feels like people could, where in fact it feels more unnatural that they don't.
‘The Debut’ Review: Julianne Moore and Paul Giamatti Are Dynamite Together in Jesse Eisenberg’s Entertainingly Offbeat Theater Comedy
10 hours ago Egyptian television presenter Sarah Khalifa and 11 other people have been sentenced to death by hanging after being convicted of drugs charges. According to state-owned al-Ahram newspaper, they were part of a criminal gang which imported ingredients used to make drugs with the intent of selling them. …
‘The Liberation’ Review: Carrie Coon, Bella Ramsey and Lily James in Guy Nattiv’s Devastatingly Empathetic Cult Drama Original
'The Liberation' Courtesy Bleecker Street As Rita Cooper (Carrie Coon) shivers outside in the cold, waiting to get picked up from a sleepover gone awry with a not-yet-cult, its leader, Ricki (Lily James), follows her out with a mug of tea. “I recognize your pain. I see what’s underneath it,” she tells her. “It’s my gift, seeing people for who they really are.” It’s Ricki alone, Ricki suggests, who grasps exactly how alienated Rita has become from her own seemingly stable life.
‘The Idiot(s)’ Review: Aimee Lou Wood and Johnny Flynn Sparkle in a Playful, Indulgent Tribute to Fyodor Dostoevsky’s Underappreciated Wife
As she finishes transcribing what will become one of her husband's most enduring masterpieces, Anna Dostoevskaya (Aimee Lou Wood) cannot contain her excitement: "This is our best novel yet!" She quickly corrects herself, of course — "I mean, your best novel" — but by then, we understand she had it right the first time. Sure, those might be Fyodor's words on the page, and his name on the cover.
‘The Idiot(s)’ Review: Aimee Lou Wood and Johnny Flynn Sparkle in a Playful, Indulgent Tribute to Fyodor Dostoevsky’s Underappreciated Wife
'The Idiot(s)' Zuzanna Woinska / Gold Rush Pictures / Hype Studios As she finishes transcribing what will become one of her husband’s most enduring masterpieces, Anna Dostoevskaya (Aimee Lou Wood) cannot contain her excitement: “This is our best novel yet!” She quickly corrects herself, of course — “I mean, your best novel” — but by then, we understand she had it right the first time. Sure, those might be Fyodor’s words on the page, and his name on the cover.
‘The Idiot(s)’ Review: Aimee Lou Wood and Johnny Flynn Sparkle in a Playful, Indulgent Tribute to Fyodor Dostoevsky’s Underappreciated Wife
As she finishes transcribing what will become one of her husband's most enduring masterpieces, Anna Dostoevskaya (Aimee Lou Wood) cannot contain her excitement: "This is our best novel yet!" She quickly corrects herself, of course — "I mean, your best novel" — but by then, we understand she had it right the first time. Sure, those might be Fyodor's words on the page, and his name on the cover.
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