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This volume investigates the positions of women artists, their institutional frameworks, and the role of other female actors in the art world in Ibero-America and on the Iberian Peninsula from the 19th to the late 20th century, focusing especially on the interweaving of post-/decolonial and feminist approaches. Although women artists could not simply act outside existing power systems, they could mirror them in their works – and thereby challenge them.
Online workshop series curated by Noemi Quagliati This workshop series focuses on the material elements, infrastructures, labour, and environmental impacts involved in producing the view from above, often referred to as the view from nowhere.
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