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My inspirations are woven carpets depicting gardens with great mastery. Centuries or millennia old, these are far from romanticized landscapes: they suggest balanced microcosms with flora, fauna, myths and legends of their specific times. And here, looking out through large glass windows of my studio, is my own garden, shaped over 18 years’ labour. I have a chance here to contemplate the landscape in every season—see birds moving, cats hunting, deer visiting.
Most novelists who are fortunate enough to have had their novels translated into other languages are also fortunate that they are unable to read those languages. I have a closet …
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