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Articles by Annie Woodford
Two Poems by Jennifer K. Sweeney
Wildest The hour of snacks and homework and we’re enlarging the world with adverbs of scale. See how easily smooth becomes smoother, how we can silk it further to the sheen that is most itself. You are taller, stronger, a little further from my center, but not furthest (may we stop here in the horizon note of further) and you want to know how accretion applies to wild. One field left longer, one never entered by anything that sought to change it.
Clearstories | Terrain.org
These cleared and stained specimens allow us to see things about the animals we could not otherwise observe. Artist Statement by Stephen Petegorsky I’ve been interested in animals—living or otherwise—for as long as I can remember. Growing up in New York City, my exposure to animals was limited. I saw dogs, squirrels, the occasional horse, and unhappy creatures in their depressing surroundings at the Central Park Zoo. I was fascinated by the dioramas in the American Museum of Natural History.
One Poem by Elizabeth McLagan
Replanting the Malheur on Denny Jones Ranch for the volunteers of Oregon Natural Desert Association This map has answers, but more questions. East of Bend, still east of Burns, we think we need one. Past the edge of Harney Basin, where waters pool and flow inward, this spring’s snow melt flooding almost gone: pond-light, ditch-light, a fling of broken mirrors. Then climb a pass named Stinkingwater, another, Drinkwater. An immigrant route?
Letter to America by Carol Alexander
Blue Calling Miles from Arizona’s creosote and prickly pear in the autumnscape of leaf over repointed brick the river’s scent reprises all fish scale and fume— though no field nor tractor in sight, I’ve lived where these were daily things, rudiments of morning’s muzzy walk. No jeweled grasshopper ravages lettuce or hay but eel-like sewers hum, clotted vowels restrung, tongue stumbling on the commonest nouns.
The Half Life of Stone
Can you ever see or experience the essence of a thing, separate from the social and cultural layers the thing is hiding under? The Recreation Room, Vincennes Imperial Asylum, 1858-9, by Charles Nègre (1820-1880). Salted paper print from wet colldion negative. An imperial decree of March 1855 confirmed Napoleon III’s wish that an asylum be constructed as a convalescent home for sick or injured workmen. Charles Nègre was commissioned to produce a commemorative album around 1858.
Woodford: Northwest Roanoke needs more than roadwork - Roanoke Times: Commentary
Sutphin, Barbara AnnBarbara Ann Sutphin, 67, passed away on Sunday, July 3, 2016, at her home in Pilot, Va.Barbara was preceded in death by her father, John Cox; brother, Douglas Cox; mother-in-law, Elsie Sutphin; and brothers-in-law, Ronnie Graham and R.G. Bostic.
How to Pluck the Hell out of a Heart – Salvation South
However, any conversation about Southern poetry, about gracious white-columned spaces like Hollins, must also include the grief of this land, the ghosts that haunt this antebellum space, the unmarked graves. A path through a back pasture, behind one of the horse barns at Hollins, still leads to a Black community which had historically supplied the labor that kept the lawns green velvet and packed the picnic baskets.
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