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Articles by Anthony Kimble
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I am an active investor in Baton Rouge, La. Along with my partners, I currently own 14 single and multi unit properties in the Baton Rouge and New Orleans area. Currently interested in networking with other investors, wholesalers and real estate agents in the area.
TBI Tech & Analysis: How Switzerland is fighting back on sustained pay-TV losses
Switzerland’s pay-TV market fell for a fourth consecutive quarter in 1Q24, with subscriptions down by 17,000 (-0.4%) to reach 3.8 million customers. Omdia’s Rob Moyser explores what is being done by the country’s key players to stem these losses. The country’s top pay-TV operators, Swisscom and Sunrise, were the main drivers of this decline with the former losing 10,000 customers, while the latter lost 6,000 customers.
TBI Weekly: Why commissioners should be hunting their own 'Baby Reindeer'
With Netflix’s Baby Reindeer currently dominating the cultural water cooler conversation, Anthony Kimble, TBI’s resident scripted expert and CEO of Arrested Industries, argues that taking risks on new voices will lead to far more success than playing it safe with the same old formulas. Given that everyone seems to agree that ‘peak TV’ is going the way of the dodo, I have little doubt that commissioning editors and network execs the world over are feeling just as vexed as we producers.
TBI Tech & Analysis: Can Netflix repeat 'Squid Game's success?
Squid Game‘s global success in 2021 reset the ambitions of globe-trotting drama and set new expectations for streamers. Omdia’s Matthew Evenson explores if the long-awaited sequel will reach similar heights. In the nearly two and a half years since the Korean drama Squid Game took the world by storm, no other non-English-language Netflix title has come close to replicating the level of fervor seen for the dystopian gameshow drama.
Opinion: The renaissance of co-production in the age of downturn
As international co-production execs descend upon London tomorrow, TBI’s resident scripted expert and CEO of Arrested Industries Anthony Kimble argues why Hollywood might finally be ready to navigate the new and exciting world of collaborative storytelling As the curtain falls on Hollywood’s hot labour summer, the post-strike entertainment hellscape is emerging, transformed and daunting.
Diary Notes of a drama producer in LA, 2022 vs 2023
With the US writers strike finally at an end, Arrested Industries CEO Anthony Kimble reflects on the past five months and compares his diary notes from early September 2022 with a day in early September 2023… SEPT 2022, 07.00: Run through diary with maddeningly efficient assistant.
TBI Weekly: Unpacking the reality of being a producer
TBI’s man in LA, Arrested Industries CEO Anthony Kimble, draws a line between the hugely stress-inducing episode of The Bear and the life of a producer as the US strikes drag on. Who’d be a producer? Earlier in my TV career, while working for broadcasters and distributors, I envied many of the producers I met.
TBI Weekly: Shifting targets in South Africa amid Hollywood shutdown
With Hollywood closed for business, Arrested Industries CEO & TBI’s resident scripted expert Anthony Kimble leaves LA and finds a new place in the sun for scripted projects. With the Writers Guild of America (WGA) and actors union SAG-AFTRA strikes still in full swing, Hollywood’s ‘summer of discontent’ seems set to continue into autumn. Will there be a breakthrough before the gingerbread lattes arrive at Starbucks and Halloween decorations go up?
TBI Weekly: Will US strikes provide the great Hollywood reset?
TBI Weekly: Will US strikes provide the great Hollywood reset? Actors union SAG-AFTRA joined the Writers Guild of America this week in downing tools, as US turmoil reached new heights in the battle between studios and creatives. Arrested Industries CEO Anthony Kimble reflects on life in LA and explores potential outcomes from what looks likely to be ‘one big hot mess of a summer’. Despite being the entertainment capital of the world, Hollywood is not a fun place to be right now.
TBI Weekly: Hollywood’s Fatal Attraction to reboots
Anthony Kimble, co-CEO of Arrested Industries, laments the rise of the reboot & its impact on creativity. There’s a new sound in LA. Rumour is that it’s the ominous death knell for the Golden Age of TV drama! It was only a few years ago that television started to compete with film as a medium where true auteurs could fashion intricate stories.
TBI Weekly: Why Hollywood's C-suite shouldn't be biting the hand that feeds it
TBI Weekly: Why Hollywood’s C-suite shouldn’t be biting the hand that feeds it With the chances of a US writers strike rising by the day, Arrested Industries co-CEO and founder Anthony Kimble provides his latest take on life in LA and reflects on the ability of C-suite execs to wangle their way onto red carpets This has been my first full awards season since relocating to Los Angeles and the first really in full flow since the pandemic.
Opinion: In the long run… I’ll always love a limited series
Opinion: In the long run… I’ll always love a limited series In the latest instalment of his TBI column, LA-based exec Anthony Kimble, co-CEO and founder of Arrested Industries, argues that less can be so much more when it comes to scripted series. From Dahmer and Dropout to We Own This City and The White Lotus, limited (or mini or anthology) series have been punching above their weight for some time now.
Opinion: Arrested's Anthony Kimble on staying nimble in a rocky market
Opinion: Arrested’s Anthony Kimble on staying nimble in a rocky market In the first instalment of his new TBI column, LA-based scripted exec Anthony Kimble, co-CEO and founder of Arrested Industries (Dam, Glasshouse), reflects on a bracing start to life in the US. I chose a great time to open a US office.
Opinion: The perfect storm driving international content demand in the US
Opinion: The perfect storm driving international content demand in the US Anthony Kimble, co-CEO of UK- and US-based production and financing company Arrested Industries (formerly Fugitive), explores how the pandemic has led to a big demand for non-US drama in the States, as well as a waning appetite for local scripted content. As a Brit who’s recently set up a business in LA, there’s a lot that I’m still coming to terms with, not least my regular commute on the 405 to attend meetings.
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