Blake Simons
VerifiedBlake Simons’s Journalist Portfolio
View as a gridJohn Waters on restoring Hairspray and Desperate Living: "The mistakes are part of the charm"
Leave a Trace: Nagisa Isogai on 'Polar Night' and 'The Lust of Angels'
'We Are Aliens' Director Kohei Kadowaki On Mixing Techniques
'All the Lovers in the Night' film adaptation brings 'unstable beauty' to the screen
Elliot Tuttle, Kieron Moore, Reed Birney on 'Blue Film'
Short, Sweet, and Steady: Shinnosuke Abe talks MIRRORLIAR FILMS
Yusuke Hirota On Studio 4ºC's 2D-3D Animation Blend
Nurturing Empathy: Shun Nakagawa on '90 Meters'
Japan's Cannes moment signals a new global push
Inside Chronically Online: a big-screen celebration of small-screen curiosities
'Another World' Director & Producer Explore Life and Death in Award-Winning Animated Feature
Growing Pains: A Conversation with Chie Hayakawa on Renoir
"It's my life's work" - Suga Munemitsu on Utawarerumono, storytelling, Project Kizuna, and more
'All the Lovers in the Night' Review: Sensitive and Restrained Kawakami Adaptation Shimmers Upon ...
Teenage Sex and Death at Camp Miasma review
Studio Ghibli's Atsushi Okui On 'Arrietty' 'Whisper Of The Heart'
Nagi Notes - first-look review
'Sheep in the Box' Expands Kore-eda Hirokazu's Empathy to Humanoid Androids
THE TASTE OF TEA Interview: Katsuhito Ishii Talks Family Dramas and Funky Forest 2
Curtain call: Lee Sang-il's final thoughts on 'Kokuho'
Queer as Punk review
Animated Features And Shorts Headed To Cannes 2026
How did a film about kabuki break box-office records in Japan?
"My Best Ideas Come To Me On Walks": Sho Miyake on Two Seasons, Two Strangers