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Articles by Brice Marden
TEFAF New York 2024: Brice Marden and Cy Twombly | Gagosian
May 10–14, 2024, booth 350 Park Avenue Armory, New York www.tefaf.com Gagosian is pleased to announce its participation in TEFAF New York 2024, with a presentation of works by Brice Marden and Cy Twombly focused on the two artists’ exploratory approaches to the relationship between abstract form and mythological allusion.
Brice Marden, In his Own Words
Quotes by Brice Marden, who passed away this past week, reveal a man that was in search of truth, self-expression, and fulfilment MutualArt Aug 15, 2023 Brice Marden, one of the last abstractionists of the old guard, passed away on August 9, 2023, at 84 years old.
Why the process of painting never ends
The problem of a painting, as Brice Marden knows, is when to call it finished. “If it ever gets done, this painting will explain to me what I’ve been doing the past decade.” He said that in 1997 of Study for the Muses (Hydra Version), a picture he had begun six years earlier. The enormous work, which is almost seven feet tall and more than 11 feet wide, was about to be included in a ten-year survey of his work at the Dallas Museum of Art, but Marden confessed it still was not quite resolved.
Brice Marden Paintings, Bio, Ideas
Summary of Brice Marden Brice Marden could be likened to a chameleon. Marden himself once compared the relationship between painters and their critics as basically one big chase, where critics attempt to pin down and define artists, who are constantly working to escape the shackles of labels.
MATERIAL WITNESS: A TRIBUTE TO ROBERT RAUSCHENBERG (1925-2008)
GIVING AWAY AND LEAVING BEHIND: Such was the magnanimity of Robert Rauschenberg (1925–2008), arguably the most influential figure in postwar American art. Working at the intersection of media old and new, and touching the practices of other artists, musicians, dancers, and even engineers, Rauschenberg collected the world’s effluvia and detritus, its crossed signals and lost messages, only to return them as a gift.
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