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Articles by Dara Barnat
Somerville through the eyes of Denise
Pensive lady wonders what’s ahead… ~ Photo by Denise Provost
‘Walt Whitman and the Making of Jewish American Poetry’ By Dara Barnat
Interview by New England Poetry Club Co-President Doug Holder In (2007) when I was running workshops for the Voices of Israel organization based in Israel, one of the workshop members was a young poet, Dara Barnat. Well, since then she has become a distinguished academic at Tel Aviv University, and has come out with a fascinating piece of scholarship. I caught up with her recently to talk about her new book Walt Whitman and the Making of Jewish American Poetry.
Lyrical Somerville - July 26
Rusty Barnes lives in Revere, MA, with his family and a herd of cats. His work appears widely He is the author of the poetry chapbook Dear So and So and the co-editor of Live Nude Poems. Hey Hey Mama is the vocal intro to the trippingest rock and roll signature riff I know, how the blues rock pentatonics roll off the guitar like wet thunder, and Robert Plant’s keening call makes me wanna slap my mama myself. If you know what I mean and I think you do.
Walt Whitman and the Making of Jewish American Poetry By Dara Barnat
Interview by New England Poetry Club Co-President Doug Holder In (2007) when I was running workshops for the Voices of Israel organization based in Israel-- one of the workshop members was a young poet Dara Barnat. Well, since then she has become a distinguished academic at the University at Tel Aviv, and has come out with a fascinating piece of scholarship. I caught up with her recently to talk about her new book Walt Whitman and the Making of Jewish American Poetry.
On the Imperfections of the Perfect Nanny by Khalid Lyamlahy
I have barely read any critical pieces on Leïla Slimani’s novel Chanson douce (Gallimard, 2016), winner of the prestigious Prix Goncourt in 2016. The best-seller came out just this month in the UK and the US under two distinct titles: Lullaby (Faber, 2018) for the British edition and The Perfect Nanny (Penguin, 2018) for the American one.
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