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Articles by Doc Watson
Fable & Fire, by Andrew Marlin
supported by blakeshester This album is a seriously great vibe. The melodies are all original but sound like they have always existed. Amazing instrumentation, everyone is playing with incredible tone and taste. I put this on in the kitchen and boom, 40 minutes later my family is eating the tastiest meal of their lives. Favorite track: Stormy Point / Back of Beyond / The Seamstress. more...
Birdsong in the Canopy, by Jeffrey Silverstein
A Philadelphia-located folk music organization, WXPN radio show, airing Wednesdays 10-11 PM ET on 88.5 FM or xpn.org. Folkadelphia Sessions are completely free, just enter $0 when prompted. Any donation you give here on our Bandcamp site will be used to help us bring you more exciting projects & developments from Folkadelphia! ... more
Co-Mission: An Artist Relief Compilation, Vol. 3, by Folkadelphia
1. 2. 3. 4. When it's time to learn My star-collecting fern I weave my heart into the sun Why won't I forget Why won't I form anything Then 1) to verify the mind for value Then 2) the hemisphere's delight we make our will I was over you I was over you I was over you I was over you Even if I call another body Riding through the veil with all we fend Even if I make it to the ocean Will I ever dare to love again?
A Start to the Southern Music Canon – Garden & Gun
Wilkesboro, North Carolina’s MerleFest has been a family affair since the bluegrass patriarch Doc Watson founded the festival at Wilkes Community College in 1988 and named it after his late son, guitarist Eddy “Merle” Watson.
Bob Dylan, "Pay in Blood" from 'Tempest' (2012): One Track Mind
Bob Dylan is at his best when his songwriting is fuelled by anger. From the political outrage of “Masters of War,” the personal outburst of “Like a Rolling Stone,” the lovelorn bitterness of “Idiot Wind” and onward into the religious warfare of “The Groom’s Still Waiting at the Altar”: his poetry grows more visceral and his voice more biting when there’s an undercurrent of rage. “Pay in Blood,” perhaps the best track on his 2012 album Tempest, is a case in point.
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