Is this you? As a journalist, you can create a free Muck Rack account to customize your profile, list your contact preferences, and upload a portfolio of your best work.
Claim your profile
Ayuda Buscar en la ayuda Buscar en la ayuda Christine Ayorinde, Afro-Cuban Religiosity, Revolution, and National Identity (Gainesville, FL: University Press of Florida, 2005), pp. xvi+283, $59.95, hb. [1] University of California-Los Angeles Localización: Journal of Latin American Studies, ISSN 0022-216X, ISSN-e 1469-767X, Vol. 39, Nº. 2 (May 2007), 2007, págs.
The cinema in 1980s Ghana was DIY: vans traveled from town to town with generators to power a VCR and a TV or maybe a projector. The titles were Hollywood imports on PAL and VHS tapes. As these independent “video clubs” operated far outside official distribution, area artists made the promotional posters, painting interpretations of box art or the storyline—usually with a dose of imagination—on flour sacks.
As a journalist, you can create a free Muck Rack account to customize your profile, list your contact preferences, and upload a portfolio of your best work.
