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However, James isn’t always concerned with making his songs feel relatable. On “Cash Transactions,” he engages in a common boast over a dusty loop: “I’ll probably never love this rap shit more than these cash transactions/I got a passion for selling drugs.” He stretches out that last word—”druuugs”—and it sounds like he’s sneering at rappers who overstate their proximity to the streets.
The evolution of Jean-Sébastien Audet—the artist formerly known as Un Blonde and currently answering to Yves Jarvis—has been governed by a curious contradiction. As the Montreal-based psych-folk auteur has reined in the crazy-quilt sprawl of earlier releases for more compact, half-hour statements, his songs have become more gloriously overstuffed.
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