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The fortunes of Peter Cooper, patron and founder of Cooper Union for the Advancement of Science and Art, were based on the production of glue and household cements from byproducts of the slaughterhouse—cows’ and calves’ feet. It was a messy but profitable business, assuring Cooper a legacy as a “pioneer polluter” of New York’s pond water.
Pieter Bruegel the Elder (1526–1569), “The Tower of Babel,” 1563. The mountain-like tower reaching toward heaven can be seen as both an image of the human desire to create something monumental and a symbol of an impossible enterprise. “Mountains and the Rise of Landscape” is the culmination of a curatorial project and a research seminar conducted at the Harvard University Graduate School of Design, the latter focusing on the question, How do you model a mountain?
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