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Writers have always adapted to new technologies—from the invention of the typewriter to the rise of radio, TV, and the internet. Today, Margaret Atwood dabbles in digital publishing platforms; Paulo Coehlo is an active presence on Instagram; and Neil Gaiman posts regularly on Tumblr. Even Joyce Carol Oates has a (famously bizarre) Twitter presence. Writers’ digital taste tends to correspond with their literary aesthetics.
It’s no surprise, then, that social media is now where Directioners are trying to draw the line between themselves and the new fans they despise. Between the intense sentiment of Directioners and the velocity of social media, the result is a fan base that excoriates would-be fans for the merest of slights or for not knowing the most trivial of facts—all in a frantic attempt to keep One Direction for themselves as they become an arena-sized pop juggernaut.
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