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I have barely read any critical pieces on Leïla Slimani’s novel Chanson douce (Gallimard, 2016), winner of the prestigious Prix Goncourt in 2016. The best-seller came out just this month in the UK and the US under two distinct titles: Lullaby (Faber, 2018) for the British edition and The Perfect Nanny (Penguin, 2018) for the American one.
Georg Rafisch, “headless,” 2015 / Flickr When I lived in the Trastevere neighborhood of Rome, I made a point of stopping in San Francesco a Ripa whenever I was running errands. The church houses Bernini’s masterpiece L’Estasi della Beata Ludovica Albertoni. Light and shadows passing through the high hidden chapel windows change throughout the day, and they place the Blessed Ludovica in communication with the city outside as well as with the heavens.
Reviewing Ma Jian’s three-decades-long career, Elizabeth Fifer traces the banned and exiled Chinese writer’s deepening critique. A newly translated work of fiction by Ma Jian, China Dream (2018), provides an opportunity for celebration and a reconsideration of his distinguished career. He is one of the most respected and discussed of all contemporary Chinese authors. His work is known worldwide, except in China.
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