Eric Schaal
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Articles by Eric Schaal
La Fundación Dalí anuncia un programa internacional de becas de investigación
Código: 7160867 Fecha: 10/12/2025 Dimensiones: 1409 x 1772 (0.63MB) Fotos del Tema: 1 Pie de Foto: Dalí escribiendo 'La vida secreta de Salvador Dalí' en casa de Caresse Crosby, Hampton Manor, Virginia,1941.
Kai Sina: Drastisch und deutlich
Sie haben ein Buch über Thomas Manns politischen Aktivismus und seinen Kampf gegen die Nazis geschrieben: »Was gut ist und was böse«. Bisweilen bekommt man den Eindruck, Sie sympathisieren schon sehr mit Ihrem Protagonisten. Spricht da auch ein Bewunderer Thomas Manns? Ja, das kann man so sagen, aber es ist kritische Bewunderung, keine gläubige. Ich halte ihn für einen der klügsten und interessantesten politischen Intellektuellen des 20.
Thomas Mann: Drastisch und deutlich
Kultur Interview mit mit Kai Sina Eine wichtige Frage im Thomas-Mann-Jahr: Wie politisch war er? Ein Gespräch mit Kai Sina Lesedauer: 12 Min. Sie haben ein Buch über Thomas Manns politischen Aktivismus und seinen Kampf gegen die Nazis geschrieben: »Was gut ist und was böse«. Bisweilen bekommt man den Eindruck, Sie sympathisieren schon sehr mit Ihrem Protagonisten. Spricht da auch ein Bewunderer Thomas Manns? Ja, das kann man so sagen, aber es ist kritische Bewunderung, keine gläubige.
Why Did The Beatles Ditch Their First Drummer for Ringo?
Looking back, it's hard to imagine The Beatles without Ringo Starr. For all the knocks he's taken over the years, most would agree now that Ringo was the ideal drummer for the band. It has as much to do with his personality (wry, happy) as it does with his talent (steady, always tasteful). But that certainly wasn't the case in 1962. In fact, Ringo wasn't the first drummer for the Beatles. Then (and for the previous two years), Pete Best played drums for the group.
Why Ringo Walked Out on The Beatles During the 'White Album' Sessions
If you're looking for drama in the late years of The Beatles, there are plenty of stories of John Lennon going to war with Paul McCartney. By the late '60s, John was openly referring to tunes like Paul's "Ob-La-Di, Ob-La-Da" as "granny music." During the 1968 sessions for The White Album, John felt so sick of hearing about how "life goes on" he stormed out of the studio in disgust. Geoff Emerick, the album's recording engineer, said he and Paul nearly fought when John returned that evening.
Led Zeppelin Sets the BBC Ablaze With 'Travelling Riverside Blues'
In the beginning, Led Zeppelin was about as much of a long-shot as every other ’60s band. That’s why it took Robert Plant and Jimmy Page several rounds of convincing before John Bonham joined the group. By that point, Bonham knew Plant well. Most importantly, Bonham knew the bands he’d previously been in with Plant hadn’t gone anywhere. Whose those three got together with John Paul Jones for the group’s first jam, everyone knew they had something worth chasing.
The Most Puzzling Scene in Alfred Hitchcock's Masterpiece
The Alfred Hitchcock classic Vertigo (1958) can get its hooks into you in so many ways. If the unfolding of the tragedy in the opening scene doesn’t grab you, the hypnotic sequences of Detective John “Scottie” Ferguson (Jimmy Stewart) driving through San Francisco — or maybe the greatest plot twist in the history of cinema — surely will. Indeed, Vertigo is one of the few films that has it all. With so much going on, viewers barely get a moment to process the film’s most mystifying scene.
How Faye Dunaway Thought Norman Jewison Saved the 'Thomas Crown Affair' Shoot
The more you get into it, the uglier Steve McQueen’s behavior on the set of The Thomas Crown Affair (1968) looks. After directing him in The Cincinnati Kid (1965), Norman Jewison had initially tried to talk McQueen out of Thomas Crown. But McQueen got Jewison to take him on for the second of the two classic films they made together. Though Faye Dunaway didn’t know what her co-star was doing behind the scenes, she saw McQueen challenge Jewison in the most extreme way during the shoot.
Why Led Zeppelin Bristled at the 'Heavy Metal' Label From the Start
Led Zeppelin first got hit with the “heavy metal” label afterthe release of its second LP (Led Zeppelin II, 1969). That the Zep had showcased a mix of folk and hard rock light and shade on its first two albums didn’t particularly matter. Critics who wanted to pigeonhole Zep as strictly a “Lemon Song” and “Whole Lotta Love” act had the ammunition for that. By the early ’70s, Robert Plant and his bandmates were already tiring of the heavy metal tag.
How Steve McQueen Pushed Norman Jewison to the Brink on 'The Thomas Crown Affair'
Looking back on his work with Steve McQueen in The Cincinnati Kid (1965) and The Thomas Crown Affair (1968), director Norman Jewison didn’t call McQueen the most problematic actor he’d ever known. But Jewison had plenty of troubles with McQueen while shooting those classic movies. It was more than McQueen nickel-and-diming him on both sets. During the filming of Thomas Crown, McQueen pulled a number of power-moves that genuinely distressed the typically unflappable Jewison.
David Bowie's 'Homo Sapiens Have Outgrown Their Use' Hangs Over 'Hunky Dory'
By the 1971 sessions for Hunky Dory, David Bowie had already begun his run as an elite songwriter and performer. Two years earlier, he’d put out “Cygnet Committee” and “Space Oddity” on his second LP. And Bowie kept the innovations coming on The Man Who Sold the World (1970), which included the haunting title track Nirvana covered decades later. So, for critics and rock fans paying attention, you might have expected great things on Hunky Dory.
Bob Marley 'Feel[s] Like Bombing a Church' on the 'Natty Dread' Album
Natty Dread (1974), the third album Bob Marley released on Island Records, stands out for a number of reasons. For starters, it was Marley’s first to feature him as the lead artist (i.e., rather than “The Wailers”). It was also the first LP Marley recorded without Peter Tosh and Bunny Livingston. But nearly 50 years later, Natty Dread survives because of the power of Marley’s songwriting.
Legendary DJ Dennis Elsas Recalls His Landmark John Lennon Interview and 'Extremely Gracious' Rock Legends on His 50th Anniversary on NYC Radio
If you’re a Beatles fan, you’ve undoubtedly come across Dennis Elsas’ 1974 John Lennon interview. That Walls and Bridges-era talk has been featured in The Beatles Anthology, Ron Howard’s Eight Days a Week, and the PBS film LENNONYC. But the Queens-bred Elsas was only getting started in a career that now spans 50 years on New York radio. As the decades rolled by, Elsas hosted Joni Mitchell, Paul Simon, Pete Townshend and countless other music legends on the job at WNEW-FM and, since 2000, at WFUV.
Why Norman Jewison Thought Steve McQueen Wasn't Right for 'The Thomas Crown Affair'
Though Steve McQueen had been a handful to direct in The Cincinnati Kid (1965), director Norman Jewison started planning a second film with the star a few years later. It would be a western, the sort of picture McQueen became famous for in the early ’60s. But when that fell through, McQueen wanted to play the lead in Jewison’s next picture. That would be The Thomas Crown Affair (1968), a film about a wealthy Harvard grad from a fine Boston family who pulls off bank heists for fun.
Go to HBO Max's 'Gomorrah' and 'Umbre' for Your Gangster TV Fix in '21
As lackluster streaming platforms continue to pop up, you can’t blame a fan of gangster films and TV for wondering about the next great source of material. Obviously, Disney+ isn’t the answer; nor is any regular cable package. And if you were encouraged by The Godfather films’ run on Showtime, you probably noticed how brief their stay was. Fans of the gangster genre don’t need a refresher on The Godfather, anyhow.
The Classic Led Zeppelin Track Stone Temple Pilots Covered for a Surprise Hit
Led Zeppelin probably isn’t the ideal band to cover. No matter what you do, some guy is gonna say, “Something about the drums is off.” Or: “I didn’t like the guitarist.” But it’s been done (and done well) by Prince and Tina Turner (both covered “Whole Lotta Love”), and by the Wilson sisters of Heart (“Stairway to Heaven“). Then there was Stone Temple Pilots’ crack at a classic Houses of the Holy track. Turning to Zep’s most whimsical album might not have been an obvious choice for STP.
How Dania Ramirez Almost Got Shut Out of the Blanca Selgado Role
Once The Sopranos got rolling, most TV actors (and many working in movies) wanted a chance to work on the show. Alec Baldwin, a huge fan of the show, actually called Sopranos producers to offer his services. (He never heard back.) But for Dania Ramirez, the Dominican Republic-born actor nearly missed out on The Sopranos because of an agent. Ramirez, herself a big Sopranos fan, loved the idea of auditioning for any available roles on the show.
The Model Jimmy Page Used as the Basis for Led Zeppelin's 'Gallows Pole' Original
Just when fans of hard rock thought they had Led Zeppelin pegged, the band released its third album. And while the Zep came out firing with “Immigrant Song” — and closed side 1 with “Out on the Tiles” — the all-acoustic side 2 surprised legions. It all started with “Gallows Pole,” Zep’s take on a traditional folk song. On that track, the Zep worked with material that dated back to at least the 1700s.
The Led Zeppelin Classic Bobby Brown Repurposed for the Hit 'Humpin' Around' Single
It’s no mystery why Led Zeppelin drum and guitar parts began turning up in hip-hop tracks. The work of John Bonham and Jimmy Page translated extremely well to the rap era, as the Beastie Boys made clear on their mid-’80s debut and, after that, Paul’s Boutique (1989). In the ’90s, the tradition continued with the work of new jack swing master Bobby Brown.
Why David Bowie Rated 'Cygnet Committee' Higher Than 'Space Oddity' and the Rest of His 2nd LP
Not every rock legend had the meteoric rise to fame of Jimi Hendrix or Led Zeppelin. In the case of David Bowie, the great songwriter-performer started so young he was bound to need more time find his way. After Bowie’s ’67 debut LP (begun at 19) didn’t get any traction, he went back to work. In 1969, he returned with his second album.
How Toni Kalem Got Injured During Her 1st 'Big Pussy' Scene
Actors had to be careful when performing a script for an episode of The Sopranos. On the page, Tony Soprano (James Gandolfini) might grab a character and slap them around (or take them by the throat). Supporting characters dealt with plenty of violence, too. Toni Kalem, who played Angie Bonpensiero, saw that immediately, on her first day on set. In “D-Girl” (season 2 episode 7), Sal “Big Pussy” Bonpensiero (Vincent Pastore) throws Angie to the ground during a fight.
How Frank Sinatra Inspired David Bowie to Write 'Life on Mars?'
Flip over Hunky Dory, David Bowie’s breakthrough 1971 album, and you’ll find a few handwritten notes in the margins next to the list of tracks. To the left of “Life on Mars?,” on a diagonal line, Bowie wrote “inspired by Frankie.” Considering Bowie was referring to Frank Sinatra, you’d have to chalk that up as an inside joke. Later on, Bowie revealed why he tipped his hat to the Chairman of the Board on Hunky Dory’s back cover.
Toni Kalem Was in the Running for a Lead Role Before Getting Angie Bonpensiero
No one would blame you for considering the leads on The Sopranos irreplaceable. Few could top the work Nancy Marchand (Livia Soprano), Edie Falco (Carmela Soprano), and James Gandolfini (Tony Soprano) did on the show. But a few actors could have taken a shot. And HBO wanted to see the field before agreeing to the leads. In the case of Livia, Suzanne Shepherd had been in the running for that part. And we know Michael Rispoli (Jackie Aprile) made it to the final cut for Tony Soprano.
David Bowie's Surreal First Encounters With 'Greatest Mentor' John Lennon
When personalities on the scale of John Lennon (1940-80) and David Bowie (1947-2016) collide, you’d expect great (or at least over-the-top) things to happen. According to the way Bowie told it in the years after Lennon’s death, that’s exactly how it went when the two legends interacted in the ’70s. In brief, the takes would fly. “Uninvited, John would wax on endlessly about any topic under the sun and was over-endowed with opinions.
Why Frank Sinatra Hated Singing 'Strangers in the Night' Original
What was the last great Frank Sinatra album? It’s a good question for Sinatra fans and critics alike. Even the harshest views of his career acknowledge the greatness of the Columbia (1946-50) and Capitol (1954-62) years. And, “My Way” and other songs notwithstanding, most agree the Chairman of the Board fell off (as most artists do) in his late (Reprise) years. Wherever you land on that, there’s no argument about how the music-buying public’s tastes changed in the ’60s.
Robert Plant Recalled His Pre-Led Zeppelin Days of 'Over-singing' and John Bonham 'Overplaying' Original
If you want to hear the roots of Led Zeppelin (and who doesn’t), head back to the Black Country scene of late ’67 and early ’68. In those days, Robert Plant and John Bonham had gotten onto something with their Band of Joy. That group, a sort of Buffalo Springfield on steroids, could say plenty in the course of a performance (though few were listening). Nowadays, Plant looks back on that era (as he did an early ’80s stretch) and laughs his hearty laugh.
Why Sidney Poitier Insisted His Character Return a White Man's Slap
If you’re looking for a turning point in how U.S. race relations were depicted in films, don’t gaze past In the Heat of the Night. In the ’67 Norman Jewison picture, Sidney Poitier plays Virgil Tibbs, a Philadelphia detective visiting his mother in the South. On his way back to Philly, Tibbs gets arrested, well, because he’s Black. Then the plot heats up. Poitier isn’t just any Philly cop; he’s a top detective in the homicide division.
Led Zeppelin's John Paul Jones Couldn't Get Over the Bass in This Stevie Wonder Classic
If you marvel at the talents of Led Zeppelin, you’ll have fun digging into the band’s influences. You just don’t get to be on the level of Zep’s members without having wide and varied tastes in music. That’s certainly the case with John Paul Jones, the multi-instrumentalist many considered to be Zep’s top musician. In an interview Jones gave in spring ’70, Jones spoke about the bass players who grabbed his attention in his formative years and session days.
Marianne Leone Recalled What a Blast Martin Scorsese Had During the Shoot
You don’t need to watch The Sopranos for long before you see an actor from Goodfellas. In fact, you see one in the show’s opening scene, when Lorraine Bracco enters the story as Dr. Jennifer Melfi. Bracco had played Karen Hill in Goodfellas, a film in which Sopranos stars Michael Imperioli and Tony Sirico also appeared. So did Marianne Leone. In Leone’s case, the actor who played Christopher Moltisanti’s mother had all of her scenes cut from Goodfellas.
How Jimi Hendrix Got That Kazoo Sound on 'Crosstown Traffic'
Jimi Hendrix always seemed to find a way to get the sounds in his head on record. Buyers of Are You Experienced (1967), Hendrix’s debut LP, saw that right away on the title track. To get those far-out sounds, Hendrix used a tape played backwards and a host of other tricks. And he kept it up through Electric Ladyland (1968), his final studio album. On “Crosstown Traffic,” the third track and second Electric Ladyland single, listeners heard something like a kazoo doubling Hendrix’s guitar parts.
Why Marianne Leone Was Glad She Played Christopher's Mother Instead of Janice Soprano
By season 2 of The Sopranos, the mob show had no trouble finding top stars to audition for new roles. When the part of Janice Soprano opened up, casting directors saw one elite actor after another. The list included Marcia Gay Harden and Aida Turturro, who eventually won the role. Marianne Leone had also tried out for Janice. Afterward, Leone came back and auditioned for the role of Joanne Moltisanti, who entered the show during season 4.
John Lennon Believed Mick Jagger Copied a 'Walls and Bridges' Song on This No. 1 Rolling Stones Hit
Is it possible to overlook a John Lennon album? The mere concept sounds preposterous. Yet Walls and Bridges (1974), the last LP Lennon lived to see hit No. 1, may qualify as overlooked five decades since its release. The album just doesn’t prompt the same sort of chatter as Lennon’s early post-Beatles releases, Plastic Ono Band (1970) and Imagine (1971). Lennon, who once referred to Walls and Bridges as “depressing,” might have something to do with this.
How Lorraine Bracco Kept Peter Bogdanovich on His Toes for Their Scenes
If you want to know how The Sopranos changed TV, look at how the cast shaped up after the show’s debut season. Over the years, you saw all sorts of well-known film figures (e.g., Burt Young, Steve Buscemi, Annabella Sciorra) coming in to guest-star, direct, or both. Peter Bogdanovich was one that did both.
The Only Cover Songs Jimi Hendrix Released on His Studio Albums
It’s easy to forget about Jimi Hendrix the songwriter. Since most people rate him as the world’s greatest guitar player, the focus tends to stay on the riffs, that technique, and (heaven help us) those solos. And I won’t even mention the magic of Hendrix’s live shows. But no one should sleep on Hendrix’s skills as a songwriter.
The Classic John Lennon Song Written With 'a Combination of Resentments' in Mind
John Lennon had a gift for channeling his negativity into great music. He might have hit a personal peak in that style with “How Do You Sleep?,” his Paul McCartney takedown from Imagine (1971). But Lennon didn’t quit. A few years later, during the sessions for Walls and Bridges (1974), Lennon delivered another one his “nasty” songs. By that point, Lennon and McCartney had settled their early ’70s beef, so you won’t find any clear intra-Beatles digs.
Why Robert Plant Had to Cancel a Batch of Summer '21 Shows
Robert Plant has been planning to get back to performing in summer ’21. After more than a year without concerts at indoor venues due to coronavirus (Covid-19) restrictions, the former Led Zeppelin frontman had dates scheduled with Saving Grace for late June at the Black Deer Festival and Tenbury Wells’ Regal. But neither of those shows will take place.
How Jimi Hendrix Thought The Who Could Improve Performances of 'A Quick One (While He's Away)'
If you’ve ever caught The Rolling Stones Rock and Roll Circus, you probably count The Who’s performance of “A Quick One (While He’s Away)” among the highlights. By then, The Who had lived with the mini-rock opera for two years, and they arrived in peak form. When he caught an earlier performance of the song, Jimi Hendrix hadn’t been too impressed with it. Speaking with the Los Angeles Free Press in August ’67, Hendrix seemed to admire the theatrical effort by songwriter Pete Townshend.
Which Led Zeppelin Song Did the Reformed Zep Really Nail at the O2? 'Kashmir' Is Up There
The surviving members of Led Zeppelin did not mess around with their 2007 reunion show at London’s O2 arena. It would not be another sloppy set (as their Live Aid and Atlantic 40th anniversary performances had been). The occasion was a tribute to Atlantic co-founder Ahmet Ertegun, and that might have been the only thing that could’ve gotten Robert Plant, Jimmy Page, and John Paul Jones together. They came rehearsed and completely prepared.
James Gandolfini Appreciated Matthew Weiner's 'Mad Men' Standoff Years After the 'Sopranos' Salary Wars
When Matthew Weiner arrived on the set of The Sopranos (1999-2007), the show had already become the biggest thing on TV. It had made HBO a fortune, in fact, and cast members eventually began asking for their share of the proceeds. By the end of the show’s run, James Gandolfini (Tony Soprano) was earning close to his due at $1 million per episode. That salary didn’t come easy.
The Frank Sinatra Classic Jimi Hendrix Quoted in His Wild Monterey Pop Performance
After recording his debut album and making his name in England, Jimi Hendrix set his sights on America. His big moment arrived in mid-June ’67, when Hendrix was to perform on the final night of the Monterey Pop Festival. At that point, with his British backing band, British producer, and British following, he might have seemed like another British act. But Rolling Stone Brian Jones, on hand to introduce Hendrix, told the crowd otherwise.
How John Lennon Used a Harry Nilsson Song as Inspiration for '#9 Dream' Original
John Lennon did more than guzzle Brandy Alexanders and mock the Smothers Brothers during his “Lost Weekend.” Sure, that March ’74 incident at L.A.’s Troubadour club might be the signature event of Lennon’s time apart from Yoko Ono. But Lennon got some fine recordings done, too. Take Walls and Bridges (1974) for example. Though Lennon considered the album a downer, mood-wise, the self-produced LP stands as a great piece of work.
Why Led Zeppelin's John Bonham Loved to Perform 'Trampled Under Foot'
If you want to know how Led Zeppelin took off so quickly in America, listen to recordings of their early shows. The Zep had a way of overwhelming fans at those concerts. Everyone from Aerosmith’s Steven Tyler to The Who’s Roger Daltrey recalled being knocked out by their first Zeppelin shows. It was no accident. “Every gig is important to us,” John Bonham said in a ’70s interview (via Led Zeppelin in Their Own Words). “In this business, you can’t afford to become complacent.
Why the 'Moonstruck' Director Didn't Like Ray Liotta for the Nicolas Cage Role
When director Norman Jewison was casting the Loretta Castorini role in Moonstruck (1987), he had only one actor in mind: Cher. Though other stars were more popular (or considered “safer” for leads in films of the era), Jewison saw Cher as the only pick to play the Italian-American Loretta in the outer-borough New York romance. As Ira Wells recounts in Norman Jewison: A Director’s Life (2021), Jewison didn’t fixate in the same way when it came to the Ronny Cammareri role.
How Jimi Hendrix Got the Record-Scratch Sound on 'Are You Experienced'
When Jimi Hendrix broke onto the London scene in ’66, he caught people’s attention for a number of reasons. Obviously, his highly personal style of dress (not to mention his skin color) stood out. But his dazzling guitar technique and over-the-top stage tactics really sent people into hysterics (both the good and bad kind). Yet Hendrix and his bandmates were only getting started. “Hey Joe” and “Purple Haze,” the Experience’s first U.K. singles, introduced listeners to Hendrix’s vast talents.
The John Lennon Album Lennon Said 'Sounds Depressing' Overall
John Lennon had no trouble baring his soul on record. He started doing that early in his Beatles run with tracks like “Help!” Later on, Lennon stared down his depression on “I’m So Tired,” a Beatles song on which he cries that he’d “give [a lover] everything I’ve got for a little peace of mind.” Lennon kept the frankness coming in his solo career. Plastic Ono Band, Lennon’s ’70 solo debut, took that soul-baring to unprecedented levels.
Why Al Pacino Rewrote the Climactic Courtroom Scene in 'And Justice for All'
Al Pacino, who turned 81 in April, has been on a run in recent years. There’s no other way to describe a three-year stretch that includes roles in Once Upon a Time in Hollywood, The Irishman, and the upcoming House of Gucci. And you’ll find Pacino on the screen this summer in American Traitor, which got the legendary actor back in the courtroom. Mention the words “Pacino” and “courtroom” in the same sentence and his Oscar-winning turn in Scent of a Woman immediately comes to mind (hoo-ah!).
The Albums That Kept 'Led Zeppelin IV' out of Billboard's No. 1 Spot
Only a handful of albums ever sold more than the fourth Led Zeppelin album. In the U.S., the RIAA has certified Led Zeppelin IV (1971) at 23 million units shipped. That’s about what you’d expect for a record that features “Stairway to Heaven” and seven other timeless Zeppelin tracks (including “Black Dog” and “The Battle of Evermore”). In terms of Zeppelin albums, IV (alternately called “Four Symbols,” “Runes,” and “ZoSo”) is the clear sales leader.
When 'Sopranos' Writers Turned to Hitchcock's 'North by Northwest' for Inspiration
Federico Fellini. Luis Buñuel. Those names are rarely (if ever) tossed around TV writers rooms. But writers on The Sopranos might bring them up while working on a script with creator David Chase. In fact, Matthew Weiner recalled how both film legends — and Alfred Hitchcock, too — came up in the course of penning Sopranos episodes. Prior to getting his own show (Mad Men), Weiner worked as a writer-producer on The Sopranos during seasons 5 and 6 (2004-07).
The 'Cardinal Sin' Led Zeppelin Committed on 'Stairway to Heaven'
Even the biggest Led Zeppelin fan might groan when they hear the opening notes of “Stairway to Heaven,” the epic track that closed out side of 1 of Zep’s landmark fourth album (1971). The reason is simple: The song became unfathomably popular, and DJs and fans played it to death throughout the ’70s (and ever after). Yet “Stairway” more than holds up after all these decades. Robert Plant might not want to sing it anymore, but he would never deny its appeal.
How Richard Portnow Interacted With Tony Sirico in Sirico's Shadier Days
Table-reads for episodes of The Sopranos were often full of surprises. When Steven Van Zandt (Silvio Dante) checked in to begin work on the pilot, he couldn’t get over seeing Johnny Ola (i.e., Dominic Chianese) sitting across from him. In the case of Tony Sirico, the Brooklyn-born actor knew a number of Sopranos stars from earlier days. For instance, Maureen Van Zandt had met Sirico during his days of terrorizing Jimi Hendrix at Steve Paul’s The Scene.
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