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Articles by Gabriel Ross
Parties Reach a Landmark Settlement in the Bartz v. Anthropic Litigation | JD Supra
Anthropic, the AI developer behind the Claude language model, has agreed to a proposed class-action settlement totaling at least $1.5 billion, pending court approval. This landmark resolution—among the largest in U.S. copyright history—targets claimed unauthorized use of pirated books during model training, covering up to 500,000 works at roughly $3,000 per work.
Robots Are Coming—But They Still Can’t Register Copyright | PYMNTS.com
By: Gabriel M. Ross, James A. Trigg, Mehrnaz Boroumand Smith & Joseph Petersen (Kilpatrick) In this piece, authors Gabriel M. Ross, James A. Trigg, Mehrnaz Boroumand Smith, and Joseph Petersen (Kilpatrick) discuss a recent appellate court ruling on AI-generated works and the human authorship requirement under U.S. copyright law.
Robots Are Coming—But They Still Can’t Register Copyright | JD Supra
Non-human machines cannot be authors under the Copyright Act of 1976. The human authorship requirement does not entirely preclude copyright eligibility for works created with the assistance of AI, provided that there are human-authored contributions to such works. In the DC Circuit’s view, adhering to this interpretation of the human authorship requirement does not impede but rather incentivizes humans to create original works in collaboration with AI technologies.
The Meaning Behind The Song: High Germany by Cherish the Ladies
The Meaning Behind The Song: High Germany by Cherish the Ladies High Germany is a popular folk song by the renowned all-female Irish-American traditional music group, Cherish the Ladies. This beautiful and heartfelt song explores themes of love, loss, and the devastating consequences of war. With its haunting melody and poignant lyrics, High Germany has captivated countless listeners over the years, evoking both nostalgia and deep emotions.
The Meaning Behind The Song: 100 Years Too Late by David Lee Murphy
The Meaning Behind The Song: 100 Years Too Late by David Lee Murphy David Lee Murphy’s iconic country song “100 Years Too Late” resonates deeply with listeners, capturing their hearts with its soulful lyrics and timeless melody. Released in 1995 as the lead single from Murphy’s album “Out with a Bang,” this heartfelt ballad has become a favorite among country music enthusiasts. In this article, we explore the meaning behind the song, delving into its lyrics and the emotions it evokes.
The Meaning Behind The Song: Las Golondrinas by Pedro Infante
The Meaning Behind The Song: Las Golondrinas by Pedro Infante Las Golondrinas is a beloved and iconic song in Mexican culture, written and performed by the legendary Pedro Infante. Released in 1951, this timeless piece captures the hearts of listeners with its beautiful melody and poignant lyrics. In this article, we will explore the meaning behind this song, delving into its historical significance, lyrical interpretation, and its enduring impact on Mexican music.
The Meaning Behind The Song: La Nave del Olvido by Simone
The Meaning Behind The Song: La Nave del Olvido by Simone Simone is an exceptional singer from Mexico who has captivated audiences with her soulful and powerful voice. One of her most renowned songs, “La Nave del Olvido,” has a deep and profound meaning that resonates with listeners. This article aims to explore the rich significance behind this beautiful song.
In Conversation with Eva Riley
Brighton based filmmaker Eva Riley sat down with The Badger to talk about her upcoming debut feature ‘Perfect 10’ and the things that inspire her in her creative process. This year saw only 4% of the top 100 films directed by women, and a further 8% of the top 250. Whilst many of the variables that comprise these stats are questionable (how do you define the ‘top’ films?!), the bottom line is that female filmmakers are severely side-lined in the industry.
Hollywood's Netflix New-Wave - The Badger
Netflix has been ever-present in most of our lives now for a while, yet a couple years ago it still would’ve been hard to believe that the online-streaming platform would grow to become one of the major players in the entertainment industry. Now with over 130 million subscribers worldwide, and an $8 billion investment into new content in 2018 alone, that’s exactly what’s happened.
The Oscars' 'Best Popular Film' Category reveals the vested interest that lies at the heart of Awards Shows
Anyone who has watched The Oscars before will know very well that artistic integrity isn’t prioritised in the way that the awards’ image conveys. However, news of the academy introducing their first new category since ‘Best Animated Film’ in 2001; the ‘Best Popular Film’ category (whatever that means), has surprised even the biggest award show sceptics, like myself.
'First Man' Review - The Badger
Space travel has been a preoccupation for Filmmakers, almost since Cinema’s invention. George Méliès’ A Trip to the Moon (1902) amazed audiences of the time. Its invention and depiction of new worlds set a precedent for science fiction as a genre; one that has continued to push the boundaries of what’s possible on-screen.
CINECITY - Shoplifters Review
Fresh from winning the Palme D’or at Cannes, Hirokazu Koreeda’s Manbiki kazoku (or ‘Shoplifters’) arrived at Brighton’s CINECITY Film Festival with a delicately assembled tale of a ‘family’ that exists on the fringes of Tokyo. The use of apostrophes in describing the film’s subjects requires an explanation that would perhaps ruin the final act; but let it be said that this is a family related through unconventional means.
Retrospective: Paul Thomas Anderson's 'Punch Drunk Love' (2002)
During a 2002 interview with Charlie Rose, when asked whether he is going to take some time off, Adam Sandler promptly replies, “I don’t really wanna have to think too much about myself, I need to jump into the work… I keep hiding, I don’t wanna get to know me”; a telling response that is entirely in keeping with the self-depravity of ‘Barry Egan’, his character in Paul Thomas Anderson’s Punch Drunk Love, a role which Roger Ebert thought “see’s through the Sandler persona”.
Visual masterpiece and cult classic: a tribute to Drive
Usually after hearing nothing but positive reviews of a film, I watch it with a slight scepticism; scepticism that my reaction won’t match the high expectation set, but Nicholas Winding Refn’s Drive (2011) certainly did not disappoint. It’s a film that without pandering to a certain audience, is utterly assured in its visual style. At times it feels beautifully simplistic in its approach and at others, artistically complex.
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