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Articles by Hanna Rubin
Financial Power of Attorney vs. Medical: Key Differences Explained
Key Takeaways A financial power of attorney authorizes someone to manage your finances on your behalf when necessary. A medical power of attorney allows a designated person to make healthcare decisions if you’re unable to do so. It’s essential to choose trustworthy agents for both financial and medical power of attorney roles. Financial and medical powers of attorney are distinct documents and should be separately assigned.
Why ABT Principal Hee Seo Loves the Art of Giving Back
What are you proudest of in your career? That I learned how to work in the studio. I always loved being onstage, but now I love the process of getting there. I used to want to be perfect in a role from day 1. Now I work to where I want to be. Is there a role you haven't danced yet that you're excited to do? I can't wait to learn Manon—I am dancing it with American Ballet Theatre this season. Usually ballet characters are straightforward—shy peasant girl or flirt—but Manon is complicated.
What Should We Do When Great Choreographers Make Work That's...Not So Great?
George Balanchine's Don Quixote. Photo by Martha Swope ©The New York Public Library for the Performing Arts When George Balanchine's full-length Don Quixote premiered in 1965, critics and audiences alike viewed the ballet as a failure. Elaborate scenery and costumes framed mawkish mime passages, like one in which the ballerina washed the Don's feet and dried them with her hair.
Michael Novak Prepares to Take the Reins at Paul Taylor
Throughout your dancing life, you've heard the same corrections over and over. The reason for the repetition? Dancers tend to make the same errors, sometimes with catastrophic results. Dance Magazine spoke to eight teachers about what they perceive to be the worst habits—the ones that will destroy a dancer's technique—and what can be done to reverse the damage.Rolling In To get a 180-degree first position, dancers will sometimes let their arches roll forward.
Michael Novak Prepares to Take the Reins at Paul Taylor
Throughout your dancing life, you've heard the same corrections over and over. The reason for the repetition? Dancers tend to make the same errors, sometimes with catastrophic results. Dance Magazine spoke to eight teachers about what they perceive to be the worst habits—the ones that will destroy a dancer's technique—and what can be done to reverse the damage.Rolling In To get a 180-degree first position, dancers will sometimes let their arches roll forward.
25 to Watch 2018: Erica Lall
Erica Lall credits her tap dancing for the musical sensitivity of her American Ballet Theatre performances. From a wili in Giselle ("I love petit allégro," she says) to a soloist in Marcelo Gomes' contemporary AfterEffect, Lall deftly accents a striking range of choreography. Precise and expressive, she floats on the music, never overstressing the beat.
25 to Watch 2018: Erica Lall
Erica Lall credits her tap dancing for the musical sensitivity of her American Ballet Theatre performances. From a wili in Giselle ("I love petit allégro," she says) to a soloist in Marcelo Gomes' contemporary AfterEffect, Lall deftly accents a striking range of choreography. Precise and expressive, she floats on the music, never overstressing the beat.
The Most Influential People in Dance Today: Alastair Macaulay
If you had a dollar for every cup of coffee spilt over an Alastair Macaulay review, you could put a down payment on a Brooklyn studio. The British-born Macaulay became The New York Times' chief dance critic in 2007. Since then his reviews, often personal in tone, filled with reminiscences as well a...
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