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Articles by IV Horn
The Afterlife of Dr. Paul Bearer
For the readers long ago who embarked on the journey through Dante Alighieri’s vision of the darkest steps of Hell, they found themselves guided by the poet Virgil. For listeners in the classic Golden Age of radio, it was Raymond who led them behind the creaking door of the Inner Sanctum, and for the watchers of late-night television in the ’60s through the ’80s—in some lucky cases, even later—their trip into the dark often began and ended with their local horror host.
Florida Forteana: Weekly World Weird - The World's Only Reliable News
As we all know, Florida occupies that peculiar borderland where the unusual settles down, raises a family, and retires. It seems fitting that America’s strangest fictional newspaper was born and raised here. Weekly World News began in Lantana, Palm Beach County, Florida, in 1979 for an entirely ordinary reason. When the National Enquirer switched to color printing, its black-andwhite presses suddenly became available.
Contact in the Desert
AFTER THE GOLD RUSH Neil Young, 1970 The words ontological shock are the only ones I can take from their usual contexts and place before the sight that greeted me when I landed in Palm Springs and beheld the desert for the first time. After some long moments committing the sight to permanent memory storage, I grabbed my bag, got in a cab, and made my way to my final destination: Contact in the Desert. My first UFO conference.
Time Travel, Tamp, and John Titor
“Dear Art, had to fax when I heard other time travelers calling in from any time past the year 2500 AD. Please let me explain. Time travel was invented in 2034. Off-shoots of certain successful fusion reactor research allowed scientists at CERN to produce the world’s first contained singularity engine. The basic design involves rotating singularities inside a magnetic field. By altering the speed and direction of rotation, you can travel both forward and backward in time.
Florida Forteana: The Betz Sphere
Sometime in March 1974, the Betz family discovered a metal sphere on their property on Fort George Island in Jacksonville while investigating the aftermath of a small brush fire. Partially exposed in the scorched earth was a smooth metallic sphere, roughly the size of a bowling ball. It had no seams, no markings, no visible openings—nothing to indicate how it had been made or what it had once been used for.
Florida Forteana: The PK Man
In the 1970s, the unexplained was never absent from the table — especially in Florida, where strange weather and stranger claims sometimes met. Psychokinesis, or “psi,” the ability to alter either the internal or external environment by mental effort alone, or “mind over matter” was discussed on television, tested in laboratories, and debated in newspapers.
Jack Spengler Laughs With His Eyes at 95
Jack Spengler was born in Buffalo, New York in 1930. He shares his decades with a lightness that feels almost subversive in a climate that so often feels like rain on the day you planned the picnic—even testing the dispositions of those who keep the glass a quarter full and steady eyes on the silver linings behind unexpected clouds. Jack carries a pragmatic joy, as if he shook hands with what he couldn’t control, making friends with both rain and sunshine.
The Right to be Merry
I have endeavoured, in this Ghostly little book, to raise the Ghost of an Idea, which shall not put my readers out of humour with themselves, with each other, with the season, or with me. May it haunt their houses pleasantly, and no one wish to lay it! Their faithful friend and Servant, C.D. December 1843. To the Victorians, the forces of cruelty felt as insurmountable as they do today—living within and alongside institutions that sustained the few and blamed the many who depended on them.
Love & Hate, Seventy Years of "The Night of the Hunter"
No other film bridges the sacred and the profane quite like Charles Laughton’s “The Night of the Hunter” (1955), a Depression-era fairy tale that ends one cinematic age and inaugurates another, painted in all the shades of nostalgia Norman Rockwell left out when depicting the past. Part noir, part parable, it is a story of flight and faith, innocence, and inheritance, revealing the uneasy marriage between American piety and spectacle — a theme that would echo throughout postwar cinema.
Knock Five Tones: Polk County's UFO Years
Maybe they only knock on some of our doors. Those chosen are as diverse as the reports themselves. Some never share the story. Some never even realize they had company. And some of us— maybe—have our names written in an appointment book in the distant stars. And should my name be nowhere in those books, should no visitor arrive, they will still have given me a gift to be opened slowly, with many smaller surprises inside, and even more questions about each one.
World of Reminagination
There’s a singular moment—a pause—when you learn that your favorite film is about to be remade, reimagined, and/or getting a sequel in a different decade. Even when the intruder is only a spiritual successor within the same IP family, it’s a feeling that’s hard to name: it might arrive as dread, as defensiveness, as anticipation, sometimes all three at once. Of course, the original doesn’t vanish when a remake appears.
Apricot Brandy
IV Horn 11 minutes ago 4 min read I. Amid the chaos of a malfunctioning shark and blockbuster ambition, it was the stillness of a story—told low and slow in the belly of a boat—that gave “Jaws” (1975) an inexorable sense of reality, serving to heighten fears imagined. Robert Shaw’s portrayal of Quint, recounting the horrors of the USS Indianapolis, etched itself into film legend. Shaw seemed to summon the performance from his marrow— something personal, something primal.
Stories the Code Couldn't Kill
The Motion Picture Production Code—enforced from 1930 and reaching its most stringent application from 1934 until its decline in the late 1960s—represented one of the most aggressive regulatory frameworks in American cinematic history. Known commonly as the Hays Code, it functioned as both a moral compass and a tool of censorship, explicitly forbidding depictions of what it termed “sexual perversion.” The Hays Code was never just about censorship— it was about erasure.
Explosions & Emotions
If, like me, you grew up in Central Florida during the final bow of a golden age for theme parks, then you may have more memories than most of pyrotechnic demonstrations celebrating the movie magic of box office hits from decades past. As a young child— already weary of fireworks, lacking any contextual knowledge of film, and harboring a persistent belief that an accident would happen while I was present—I was terrified anytime something blew up.
An Ode to the Outcast
Known as “The Man of a Thousand Faces,” Lon Chaney Sr.—silent film actor and pioneering makeup artist—is revered for his transformative performances and groundbreaking prosthetic work. He starred in more than 150 films and was an audience favorite, earning him the kind of immortality the screen seldom grants. Through both purpose and ability, he chose to embody characters existing outside the realm of conventional beauty and normalcy, giving depth to figures often relegated to monstrosity.
The Temporal Screen: Reappearing Acts
The audiences who once gathered to witness live feats of escape and illusion, whether in grand theaters or intimate parlor rooms, were the very same who later beheld cinema’s first flickering screens. For some, the experiences might have felt much the same—the same stirring of wonder, the same exhilaration for human possibility, and the same reverence for those fleeting moments when we allow ourselves to be deceived, if only to escape into a world where anything feels within reach.
The Temporal Screen: Love & Time Machines
Time is one of the few variables with enough power to end, improve, inspire, and change the memory of love. Whatever its influence, we usually understand its meaning years later, but on the screen, we can live through its passages in hours. Manipulating time lends not only the philosophical and societal questions science fiction asks, but also those of personal reflection, changes in perspective, and a chance to see how our lives might have turned out if we had loved differently or… loved better.
The Temporal Screen:Watching Them, Watching Us.
We spend most of our time looking either downward or directly ahead, splitting our focus between screens and various realities. For many of us, looking up is occasional—admiring the moon, watching a plane land, or enjoying a fireworks show. Our upward glances connect us to a world larger and more unknown than comprehension allows. When you don’t know, you wonder. Wonder, of any and every kind, is the imagination’s lifeblood.
The Temporal Screen: Noirvember
Named by French critics to describe films based on mid-20th-century crime fiction, noir features a style and language unique to itself. These films often center on stories told from the viewpoint of morally gray or explicitly criminal protagonists, with shadows used so powerfully that they become central characters themselves.
The Chainsaw Man
I belong to the last generation with limited internet access, so I figure that I found “The Texas Chainsaw Massacre” (1974) because of the kindhearted celebratory antics of a man living in the neighborhood I grew up in. Every Halloween, he’d run around in his front yard with a chainsaw (without chains), and without access to the film he referenced, I began to intertwine the feeling of the one night a year when the world and I were on the same page with the sound of a chainsaw rip.
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