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The study of Roman wall painting has long prioritized formal styles and iconography, with recent attention paid to the visual and spatial significance of murals. In comparison, Roman wall painters, who are often treated as members of anonymous ‘workshops’, have received relatively little scrutiny.[1] This concise volume, however, investigates the paintings at Pompeii, as its title suggests, through the lens of their painters.
What does success look like for arts in criminal justice settings? is the bold new paper from the National Criminal Justice Arts Alliance (NCJAA), commissioned by Arts Council England in 2017, highlights the findings from a series of roundtables which considered the titular question. The paper has special relevance to writers and artists working in criminal justice settings, such as writers-in-residence at prisons.
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