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Abstract Masks and disguises permeate the plays of Etherege, Wycherley, and Congreve. Previous studies of these elements have not considered some of their more significant literary and theatrical uses. Indeed, the mask is usually dismissed as a social phenomenon of the Restoration. However, like material disguise, the mask provides the plays with spectacle and serves numerous other dramaturgic functions--structural, thematic, symbolic, and satiric.
Authors John T. Carroll Union Presbyterian Seminary Abstract Reversals of status and position figure prominently in the Gospel of Luke. This feature of Jesus’ mission poses a challenge to individuals outside the disciple group, and it also shapes the peculiar character of the community of disciples.
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