Is this you? As a journalist, you can create a free Muck Rack account to customize your profile, list your contact preferences, and upload a portfolio of your best work.
Claim your profile
Articles by John D. Poling
On Stage: Comedy, crisis and consensus collide in Heartland’s 'Eureka Day'
New subscriber benefit! Copied to clipboard Out of gifts for the month Unfortunately you've used all of your gifts this month. Your counter will reset on the first day of next month.
On Stage: Prairie Fire's 'Joseph' offers high energy musical message of redemption
One thing you can say about composer Andrew Lloyd Webber is that he gets "it" when it comes to storytelling. "It"? The "it" is that the story not only has to be compelling, but the story may not initially be obvious to most. Some examples: poetic kitties ("Cats"), model trains coming to life ("Starlight Express"), mythical First Ladies on balconies ("Evita"), and then there is the source material for "Joesph and the Amazing Technicolor Dreamcoat," playing Aug.
On Stage: Prairie Fire's 'Joseph' offers high energy musical message of redemption
New subscriber benefit! Copied to clipboard Out of gifts for the month Unfortunately you've used all of your gifts this month. Your counter will reset on the first day of next month. Share this article paywall-free Email Copy Link Prefer us on Google Facebook Twitter Bluesky WhatsApp SMS Email Print Save Poling kAm~?6 E9:?8 J@F 42? D2J 23@FE 4@>A@D6C p?5C6H {=@J5 (6336C :D E92E 96 86ED “:E” H96?
On Stage: Shakespeare Fest crafts terrifically sublime 'Our Town'
One question kept coming back to me after seeing the Illinois Shakespeare Festival's terrifically sublime production of Thornton Wilder's "Our Town": What would Wilder have thought of smartphones? The central message of his play is this: Appreciate the moment. Emily's revelation almost stings in its delivery: "[J]ust for a moment we're happy. Let's look at one another!" Girl, you are so right, and what am I doing? Looking at my iPhone. Oof. Is there hope for any of us?
On Stage: Shakespeare Fest crafts terrifically sublime 'Our Town'
New subscriber benefit! Copied to clipboard Out of gifts for the month Unfortunately you've used all of your gifts this month. Your counter will reset on the first day of next month. Share this article paywall-free Email Copy Link Prefer us on Google Facebook Twitter Bluesky WhatsApp SMS Email Print Save One question kept coming back to me after seeing the Illinois Shakespeare Festival’s terrifically sublime production of Thornton Wilder’s “Our Town”: What would Wilder have thought of smartphones?
On Stage: Mother Road provides the mother lode for Heartland’s 10-Minute Plays
I guess with his Nobel and Pulitzer to comfort him in the great beyond, literary giant John Steinbeck feels appreciated enough. I can’t help thinking, though, he’s getting a little shortchanged in all this Route 66 Centennial hullabaloo. kAmp7E6C 2== :E H2D $E6:?364<[ :? 9:D `hbh >2DE6CA:646 Q%96 vC2A6D @7 (C2E9[Q H9@ F?56CDE@@5 E9:D a[d__\>:=6 C:33@? @7 C@25 H2D 72C >@C6 E92? ;FDE 2 9:89H2J] xE H2D[ 96 @3D6CG65[ QE96 >@E96C C@25[Q “E96 A2E9 @7 2 A6@A=6 :?
On Stage: Community Players stage 'Dreamgirls,' a Motown cautionary tale
There is a certain sad irony that “Dreamgirls” was anything but a “dream” for the singer the show is partly based on, Florence Ballard, a former member of the legendary Supremes. kAmq2EE=:?8 56AC6DD:@?[ 2=4@9@=:D>[ 2?5 C6D6?E>6?E @7 E96 8C@FA’D C:D:?8 DE2C[ s:2?2 #@DD[ |@E@H? 7@F?56C q6CCJ v@C5J C6A=2465 q2==2C5 :? `hef] p7E6C 2 D9@CE[ F?DF446DD7F= 2EE6>AE 2D 2 D@=@ 24E[ 96C 42C66C EC2;64E@CJ DA:C2=65 5@H?H2C5] $96 5:65 @7 2 3=@@5 4=@E :?
On Stage: ISU's Urinetown is potty humor with a point
Don't get me wrong, I am very grateful that our severe drought status has begun to reverse itself in Bloomington, but darn it, Mother Nature ruined my lead for "Urinetown: The Musical." As I had pondered in advance the unsettling parallels of potential water restrictions in our real town like those of the fictional Urinetown, I was sure I had hit the comparable jackpot. The rains came, however, and my comparison dried up, but I am quite happy for the moisture.
On Stage: ISU’s Urinetown is potty humor with a point
kAms@?’E 86E >6 HC@?8[ x 2> G6CJ 8C2E67F= E92E @FC D6G6C6 5C@F89E DE2EFD 92D 368F? E@ C6G6CD6 :ED6=7 :? q=@@>:?8E@?[ 3FE 52C? :E[ |@E96C }2EFC6 CF:?65 >J =625 7@C “&C:?6E@H?i %96 |FD:42=]”k^Am kAmpD x 925 A@?56C65 :? 25G2?46 E96 F?D6EE=:?8 A2C2==6=D @7 A@E6?E:2= H2E6C C6DEC:4E:@?D :? @FC C62= E@H? =:<6 E9@D6 @7 E96 7:4E:@?2= &C:?6E@H?[ x H2D DFC6 x 925 9:E E96 4@>A2C23=6 ;24<A@E] %96 C2:?D 42>6[ 9@H6G6C[ 2?5 >J 4@>A2C:D@?
On Stage: Nomad’s 'Pop-Up HERstory' enlightens and inspires
Perhaps it was Silver Screen legend Ginger Rogers who best personified the predicament of being born a woman in a patriarchal society. Her dance partner Fred Astaire got the lion’s share of credit, but she did everything he did — and she did it backward and in heels. kAm%96 4@>>@? E9C625 :? }@>25 %962EC6’D =2E6DE AC@;64E[ Q!@A\&A wt#DE@CJi a_ae[Q A=2J:?8 E9:D $2EFC52J 2?5 $F?52J 2E E96 q=@@>:?8E@? !F3=:4 {:3C2CJ[ :D E92E 2== E96 H@>6?
On Stage: ISU’s 'A Monster Calls' terrific, moving
In the two centuries that have passed since Mary Shelley published her Gothic classic “Frankenstein,” we’ve become accustomed to the idea that some monsters are sympathetic creatures who are simply misunderstood. kAm%96 =2E6 xC:D9 2FE9@C $:@392? s@H5[ 9@H6G6C[ 7=:AA65 E92E 4@?46AE @?
On Stage: Nomad’s 'Paint Night,' a ‘Steel Magnolias’ for art
Can you imagine the Dutch Master artists just sitting around one day in the 17th century, and Rembrandt pops off to Vermeer, “You know what would make this a lot more fun?” “What?” Vermeer asks. “Strawberry moscato,” Rembrandt replies. kAm|2J36 :E H2D 3@C? E92E 52Ji “|6C=@E 2?5 2 |2DE6CA:646[” “$:AD ‘? $EC@<6D[” “(:?6 2?5 s6D:8?” — 2? :?5FDECJ E92E D2:5 J@F 42?
Lorca's 'Blood Wedding' staged at Illinois State University
I admire poets. I really do. I must confess, though, for me admiring poets and understanding poets are two very different things. I’m a simple Midwestern guy, those similes, metaphors, meters, and such make me anxious.
On Stage: IWU’s '35MM' shares snapshots of musical moments
kAmp7E6C D66:?8 x==:?@:D (6D=6J2? &?:G6CD:EJ’D =2E6DE AC@5F4E:@?[ “bd||i p |FD:42= tI9:3:E:@?[” x 7@F?5 >JD6=7 92G:?8 2 3:E @7 2? 6I:DE6?E:2= >FD:42= 4C:D:D] “p> x D:>A=J 2 >FD:42= AFC:DE[” x H@?56C65[ “@C 2> x 24EF2==J 2 7F55J 5F55J H9@ H@?’E 2446AE E962EC:42= 6IA6C:>6?E2E:@?nk^Am kAm{6E >6 6IA=2:?] x7 x 925 E@ 3C:67=J 56D4C:36 “bd||i p |FD:42= tI9:3:E:@?[” A=2J:?8 E9C@F89 u63 `d 2E E96 y6C@>6 |:CK2 %962EC6[ x H@F=5 E6== J@F :E’D 2 >FD:42= C6GF6] xE :D 2?
On Stage: Heartland Theatre’s 'Smokefall' first must-see play of 2026
Do we truly have free will? It’s a question that many people, far smarter than I, have pondered for more than two millennia. Oedipus, anyone? kAmu@C E96 A=2JHC:89E }@29 w2:5=6[ x E9:?< 9:D 2?DH6C >:89E 36 2 BF2=:7:65 “?@]” %96 BF2=:7:6Ci 72>:=J] u@C ;FDE =:<6 ~65:AFD[ @FC 72>:=:6D[ A2CE:4F=2C=J @FC A2C6?ED[ 42? 5@ 2 ?F>36C @? FD E92E D6ED FD @?
On Stage: Illinois Wesleyan’s 'Holiday Inn,' a festive showcase for Irving Berlin
When Irving Berlin conceived the idea of the 1942 musical film “Holiday Inn,” starring Bing Crosby and Fred Astaire, he was pretty sure his song “Be Careful, It’s My Heart” would be the film’s chart topper. He liked the Christmas number he’d written for movie, but as a Jewish composer, its composition had been a challenge for him and its potential popularity was uncertain. kAm%92E 2FEF>?[ :?
On Stage: ISU’s 'Into the Woods,' a Sondheim staging that’s simply sublime
You know, we’ve got a lot to thank those Grimm boys for. The Grimms? Do you know them? Jacob and Wilhelm. They lived just down the road a spell in Göttingen. Of course, that’s in Germany, so there is a bit of distance there. kAmy24@3 2?5 (:=96=> H6C6 D6=7\AC@76DD65 3@@< ?6C5D @7 E96 `hE9 46?EFCJ[ 2?5 E96J =@G65 E96:C 4@F?ECJ] p =@E] pD AC@F5 v6C>2? ?2E:@?2=:DED[ 2?5 3:3=:@A9:=6D[ E96J H6C6 56E6C>:?65 E@ AC6D6CG6 E96 =:E6C2CJ 9:DE@CJ @7 v6C>2?
On Stage: 'Action Movie: The Play' satirically skewers action flicks of yore
Would you believe me if I told you one of the best police chase scenes I’ve seen recently wasn’t a viral video or on the evening news, but rather on the stage of Illinois State University’s Westhoff Theatre? Well, it’s true. In the ISU School of Theatre, Dance and Film’s latest production, “Action Movie: The Play,” running through Oct. 11, a couple of seasoned cops on a stakeout encounter a car full of menacing thugs, and it’s suddenly “Beverly Hills Cop” meets “Mad Max,” and that’s no accident.
On Stage: Community Players’ “Heathers,” a dark concoction of devilishly good fun
When it comes to high school cliques, most of us were probably on the outside looking in. Their exclusivity being simultaneously appealing and altogether distasteful. However, as the terrific new Community Players production of “Heathers: The Musical” proves, clique infiltration can be devilishly delicious.
On Stage: Heartland’ Theater's 'Venus in Fur,' a staged sensation of domination
The first axiom of writing is “write what you know.” The first axiom of wish fulfilment is “be careful what you wish for.” The intersection of these two self-evident truths might just be Heartland Theatre’s latest production, the terrifically staged work by playwright David Ives, “Venus in Fur,” playing through Sept. 13. I’ll admit the connection between the word and a wish might not seem readily apparent.
On Stage: 'Earnest' cheekily asks 'What’s in a name?' at Shakespeare Fest
Oh, how we do love the shenanigans of the idle rich, don’t we? From the “Beverly Hillbillies” of yesteryear to today’s wildly popular “White Lotus” series on HBO Max, the filthy rich are fun because they are bored, and this leads them into all kinds of trouble and mischief.
On Stage: Community Players’ 'Moon Over Buffalo' brings energetic farcical fun
In life, the expression goes, one door closes and another opens. In farce, however, it’s one door opens and then slams shut, then another, then another and then another. You get the idea. I am happy to report the doors are plentiful and their construction sturdy in the Community Players Theatre's energetic new production of the Ken Ludwig farce “Moon Over Buffalo,” playing through May 18 at the theater in Bloomington.
On Stage: ISU’s 'Everybody' a solemn quest with humor and zest
When it comes to death, are you like me? The older I get, the more cynical I get about it. I’m like the late, great chanteuse Peggy Lee standing there at the “final disappointment,” crooning “If that’s all there is, let’s break out the booze and have a ball.” I realize a lot of people take the topic of death far more seriously than me and Peggy Lee, and for those of the contemplation persuasion, have I got the play for you.
On Stage: ISU’s 'Borrowed Babies' a compelling tale of stifling sexism
“The problem laid buried, unspoken,” Betty Friedan wrote, “for many years in the minds of American women.” What “problem,” you ask? Ah, there’s the rub, for you see, it was the problem that had no name. Friedan famously wrote those words in 1963 in “The Feminine Mystique,” the work that sparked the second wave of the feminist movement. That problem, opaque and nameless, was self-actualization. Why were women expected to find their validation limited to their roles as wives and mothers?
On Stage: Community Players’ 'Rock of Ages' celebrates golden age of power ballads
As a child of the '80s, I say unto you: Mock our big hair, judge our questionable fashion sense, scorn our spandex, but there is one thing that is undeniable about our decadent decade — we had the best power ballads ever. The decade was, in fact, the “golden age of the power ballad,” and Journey frontman Steve Perry was our Zeus.
On Stage: ISU’s 'The Prom' is a Broadway 'fish out of water' story
Often in plays, particularly musicals, there is an element called the central conceit. It’s basically the fictious assumption that the audience has to buy into for the whole thing to work. In “The Prom,” you have to believe that four down-on-their-luck Broadway actors decide to crash a high school spring formal. Why? Well, I’ll get to that in a moment.
On Stage: ISU's 'Space Girl' a cosmic mix of comedy and anti-conformity
Now more than ever, I think we need the need the nonconformists. The folks willing to let their freak flags fly. The people who guffaw at the thought that “social media influencers” are a real thing. More people like Arugula. Cue the record scratch. I know, why did I take a sudden detour into delicious varieties of greens? Well, you need to know that Arugula is also a person. OK, that’s not quite right. She’s an alien from outer space posing as a person.
On Stage: ISU’s 'In Pieces: A New Musical' exuberantly surveys tricky road to love
When it comes to the proverbial fork in the road that we’ve all faced, some of our best advice has come from one of America’s preeminent poets, Robert Frost. He told us that “where two roads diverge in yellow woods,” choosing the one less traveled will make all the difference. Some of the trickiest “forks” in our lives are matters of love. We’re told to follow our hearts, but our hearts don’t care about practical decisions based on good sense. Our hearts are rooted in emotion and vulnerability.
On Stage: Heartland Theatre’s 'Every Brilliant Thing' soars with storytelling, audience participation
In the interest of full disclosure, I must admit that I have been a maker of lists for pretty much my entire adult life. It’s no accident that 3M sales of the Post-it Note began to soar in 1982. As a college freshman, I was singlehandedly raising the company’s stock value. While I jest a bit, I mention list-making because I think for me, and many of my fellow list-makers out there, a list is far more than an organization tool. A list is, in a sense, a coping mechanism.
On Stage: Community Players’ 'I Hate Hamlet' is a ghostly good Gotham romp
Here’s a playful paranormal puzzler: How far back does using a ghost as a theatrical stock character go? Well, it conveniently and maybe not-so coincidentally goes back at least 400 years, where it was famously employed by one William Shakespeare, Esquire, in a little tragedy he wrote that gained some notoriety. “Hamlet,” anyone? That’s right, Hamlet’s father is a ghost who visits him, informing his son not only who murdered him — that rat Claudius — but also swearing his boy to vengeance.
On Stage: Heartland Theatre’s 'Ghosts' conjures up comedic, contemplative themes
Sadly, in the rare instance when I think I have an “aha moment,” I discover others have had that “aha” long before me. Such was the case when I attended “Ghosts,” the theme of Heartland Theatre’s 2024 "10-Minute Play Festival," running through June 15. I realized about midway through the eight plays that the reason we humans have created ghosts is to help us deal with loose ends.
On Stage: ISU’s 'Escobar’s Hippo' proves hip cat herbivores have the most fun
Legendary Colombian drug lord Pablo Escobar shuffled off this mortal coil over 30 years ago in a fitting blaze of glory — a rooftop shoot-out with Medellin special forces. While few probably mourned the loss of the “King of Cocaine” all that much, there were a few loose ends to tie up. Probably the oddest — what to do about the hippos? Cue the record the scratch. Say what now?! The hippos? That’s right, the hippopotami, to be more scientifically precise about it.
On Stage: Heartland Theatre’s 'Alias Grace' plumbs the perils of probing for truth
For Grace Marks, it is the seemingly innocuous things of daily life — an apple, a quilt, a bed — that can represent both pleasure and peril. She’s a woman betrayed in life by fate, circumstance and, yes, even the deceit of a piece of furniture. Grace is the eponymous character of “Alias Grace,” the engaging and suspenseful new production playing at Heartland Theatre Feb. 14-22. The play is Jennifer Blackmer’s adaptation of Margaret Atwood’s 1996 novel of the same name.
On Stage: Community Players’ 'Cuckoo’s Nest' ratchets up the rule-breaking
When it comes to the questionable virtue of conformity, there is a marvelously astute quote by author Rita Mae Brown. She observed that: “The reward for conformity is that everyone likes you except yourself.” Conformity, whether it be liking it or loathing it, is a significant presence in "One Flew Over the Cuckoo’s Nest," the novel written by Ken Kesey in 1962 and then adapted into a play by Dale Wasserman in 1963.
On Stage: Illinois Wesleyan’s 'Edwin Drood' is a cheeky Victorian delight
Stop me if you’ve heard this one: So one day, Charles Dickens walks into a tiki bar. Oh, you’ve heard it? Or, oh, Dickens only drank pints? You’re probably right. Did you know, though, that one of the greatest novelists of the 19th century actually has something in common with a tiki staple, the piña colada? I kid you not.
On Stage: Kids will love the magic of Community Players’ 'Giant Peach'
As cosmically large fruits go, I guess a peach is as good as any in withstanding a journey over land, sea and air, although I think an expansive banana might be better for the ocean-going leg. It’s been said that British author Roald Dahl was originally enamored by a giant cherry but decided on a peach due to its delightfully squishy properties.
On Stage: Charm abounds in Prairie Fire Theatre’s 'She Loves Me'
The first rule of writing is “write what you know.” Something tells me a slightly nebbish Hungarian playwright named Miklos “Miki” Lazlo knew a little something about fear — the fear that true love might forever elude him. He was, after all, nearing 35 when he wrote about the subject in a play called “Parfumerie” in 1937. The good news for Miki was that he found “the one.” He’d emigrated to America and met an aspiring actress named Florence Herman. They married in 1939.
On Stage: Shakespeare Fest's 'Sense and Sensibility' propels a Jane Austen classic
When it comes to matrimonial relationships, I think it was the immortal Tina Turner who said it best: “What’s love got to do with it? What’s love but a secondhand emotion?” We tend to forget that the notion of a “love marriage,” a union based on mutual affection, has only been the norm for a couple of centuries. Before that, arranged marriages were far more common. Why do I mention this history-of-matrimony fun fact?
On Stage: Heartland Theatre’s 'Ghosts' conjures up comedic, contemplative themes
Sadly, in the rare instance when I think I have an “aha moment,” I discover others have had that “aha” long before me. Such was the case when I attended “Ghosts,” the theme of Heartland Theatre’s 2024 "10-Minute Play Festival," running through June 15. I realized about midway through the eight plays that the reason we humans have created ghosts is to help us deal with loose ends.
On Stage: Community Players’ 'I Hate Hamlet' is a ghostly good Gotham romp
Here’s a playful paranormal puzzler: How far back does using a ghost as a theatrical stock character go? Well, it conveniently and maybe not-so coincidentally goes back at least 400 years, where it was famously employed by one William Shakespeare, Esquire, in a little tragedy he wrote that gained some notoriety. “Hamlet,” anyone? That’s right, Hamlet’s father is a ghost who visits him, informing his son not only who murdered him — that rat Claudius — but also swearing his boy to vengeance.
On Stage: ISU’s 'In Pieces: A New Musical' exuberantly surveys tricky road to love
When it comes to the proverbial fork in the road that we’ve all faced, some of our best advice has come from one of America’s preeminent poets, Robert Frost. He told us that “where two roads diverge in yellow woods,” choosing the one less traveled will make all the difference. Some of the trickiest “forks” in our lives are matters of love. We’re told to follow our hearts, but our hearts don’t care about practical decisions based on good sense. Our hearts are rooted in emotion and vulnerability.
On Stage: ISU's 'Space Girl' a cosmic mix of comedy and anti-conformity
Now more than ever, I think we need the need the nonconformists. The folks willing to let their freak flags fly. The people who guffaw at the thought that “social media influencers” are a real thing. More people like Arugula. Cue the record scratch. I know, why did I take a sudden detour into delicious varieties of greens? Well, you need to know that Arugula is also a person. OK, that’s not quite right. She’s an alien from outer space posing as a person.
On Stage: Heartland Theatre’s 'Every Brilliant Thing' soars with storytelling, audience participation
In the interest of full disclosure, I must admit that I have been a maker of lists for pretty much my entire adult life. It’s no accident that 3M sales of the Post-it Note began to soar in 1982. As a college freshman, I was singlehandedly raising the company’s stock value. While I jest a bit, I mention list-making because I think for me, and many of my fellow list-makers out there, a list is far more than an organization tool. A list is, in a sense, a coping mechanism.
On Stage: Wesleyan’s 'Duchess of Malfi' elevates tragic Elizabethan cruelty to high art
I have a theory on why the great English playwright John Webster wrote the tragedy “The Duchess of Malfi,” playing through Sunday at Illinois Wesleyan University’s Jerome Mirza Theatre. I think it was something called “Shakespeare fatigue.” You see, Webster lived and wrote in roughly the same era that The Bard was doing his thing. I bet people were always saying to him, “Oh, that Shakespeare is so great. Oh, have you seen 'Hamlet'?
On Stage: Heartland Theatre’s 'Bloomsday,' a Celtic take on love, regret and trickster James Joyce
When it comes to dealing with regrets, perhaps we should take a page from Ol' Blue Eyes, Frank Sinatra, and his iconic song “My Way,” where he admits to a few regrets but “too few to mention.” He honorably points out the most important thing was that in the end, he saw it through without exemption. He did it his way. Why do I mention regrets? It’s because we all have them, whether we want to admit it or not.
On Stage: ISU’s 'Addams Family' is kooky, ooky and altogether marvelous
In a moment of exasperation that any person with an oddball or two in their family can relate to, Wednesday Addams begs of her kin, “Can we at least all act normal?!” What, act normal?! For an Addams, normal is practically blasphemy. I am happy to report that there’s not much “normal” that pops up in Illinois State University’s marvelously goofy production of “The Addams Family: A New Musical,” playing through Nov. 5 at ISU's Center for the Performing Arts.
On stage: ISU’s 'Frankenstein' tells a cautionary tale for both past and present
Wouldn’t it be a cool séance if we could conjure up the ghosts of “Frankenstein” author Mary Shelley and “Frankenstein” film director James Whale, then have Shelley tell us what she thinks of the classic monster film? I’m guessing she may have some thoughts. It’s probably not that realistic of an idea, since I’m likely cross-pollinating horror genres or something.
On stage: ISU’s 'Princess Fearless' proves there's empowerment in taking chances
I love the message of Billie Holliday’s “God Bless the Child.” The song encapsulates in its bluesy-jazz beauty the importance of being self-reliant and independent. Isn’t that what all parents want for their kids — for them to become confident, self-sufficient young people? How to instill those characteristics presents a conundrum, though, because we must encourage our kids to be fearless, and that can be scary.
On stage: Heartland's 'Grand Horizons' looks at humor, heartbreak when 'I do' is through
I think we all remember where we were the moment we heard that Al and Tipper Gore had “split the blanket,” as my grandmother would so euphemistically put it. What? Not so much? Well, heck, it’s possible if you were born after 1990, you’re probably asking, “Tipper who?” So why do I bring up the former vice president and his barely memorable marital separation now? Because Al and Tipper were married for 40 years when they made the “mutually supportive decision” to separate in 2010. Yeah, 40 years.
On stage: 'Rumors' romps around the truth, revels in deceit at Community Players Theatre
“The truth will set you free.” Remember that old adage? How far back does that chestnut go? Oh, about 2,000 years, according to the Gospel of John (no relation, by the way). I mention the freeing factor of the truth because in the two millennia since that expression was coined, I’m not sure that advice is any more heeded now than it was then and, let me tell you something, writers the world over are very grateful for that fact. I’ll give you just one example: Marvin Neil Simon.
Show More
loading
Actions
Is this you?
As a journalist, you can create a free Muck Rack account to customize your profile, list your contact preferences, and upload a portfolio of your best work.Get in touch with John D.
Contact John D., search articles and posts on X, monitor coverage, and track replies from one place.
Learn more about Muck Rack