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Articles by Jonathan Salamon
London Calling: The Ashkenazi-Sephardi Clash
This past summer, I led a tour group to visit the beautiful Bevis Marks Synagogue — arguably the oldest continuously-used synagogue building in Europe and the ancestral home to London’s Spanish & Portuguese (“S&P”) Jewish community.
The Met’s New Production of “La Forza del Destino,” Still Timeless and Relevant
The whole world can change in one small but devastating moment. This season, the Met Opera presents its first new production of Verdi’s La Forza del Destino in 30 years. The tale of star-crossed lovers, war, and revenge is given a contemporary staging that showcases the ravages of military conflict. Norwegian soprano Lise Davidsen made her highly anticipated debut as the protagonist Leonora, and she delivers stupendously.
Opera Prima Makes Its American Debut With Soprano Amanda Forsythe
Flip a coin: if it’s heads, it’s love; if it’s tails, it’s torment. So was the theme of the evening’s program of seventeenth-century Italian music at the Morgan Library’s centennial concert last Thursday, as part of the Boston Early Music Festival’s 2024 series. Headed by viola da gamba player Cristiano Contadin, the critically acclaimed Italian ensemble Opera Prima performs music of the Renaissance and Baroque on period instruments.
Pianist Fazıl Say’s Singular Artistry Astounds at Carnegie Hall
What do classical pianists of today and the past have in common? Sometimes not too much, as many of today’s pianists merely present older works while adhering to conservative traditions of interpretation. But pianists of the past like Mozart, Beethoven, and Chopin performed their works and improvisations for the public.
Carmen Hits the Road in The Met’s New Production of Bizet’s Classic
Castanets and cigarettes mingle with cars and cowboys in the Metropolitan Opera’s new production of Georges Bizet’s Carmen. Director Carrie Cracknell’s staging puts a novel aesthetic spin on the story, taking us out of nineteenth-century Seville and into the spare, open landscape of the contemporary American southwest. Carmen is an opera about love: its highs and lows, its mercurial dangers, and its magical hold over people’s destinies.
Francesco Corti Rings in 33rd Anniversary at NYU’s Casa Italiana Zerilli-Marimò
The Casa Italiana Zerilli-Marimò at New York University is celebrating its 33rd anniversary as an institution devoted to Italian culture. Its range of free public programming brings together many voices that promote intellectual and cultural exchange between the United States and Italy, situated in the late Baroness Mariuccia Zerilli-Marimò’s historic townhouse in Greenwich Village.
Correlations between the Changing Levels of Tissue Plasminogen Activator and Adiposity Following Exercise-Induced Weight Loss
Abstract : Cardiovascular disease is a major threat to global public health. Tissue plasminogen activator (TPA) is a serine protease that dissolves blood clots, which can also lead to excessive bleeding. Fibrinogen (FIBR), a glycoprotein, is converted by thrombin to fibrin and then to a fibrin-based blood clot.
Now More Than Ever
Ten years ago, as we started our journey to build Dashlane, we had the intuition that almost all aspects of our lives would be connected to the Internet, and that the UX of the Internet, as designed, was not up to the task. And we also saw that one small, seemingly unimportant aspect of this broken UX—logins and passwords—was going to become a central issue in our daily relationship with the digital world. Fast forward to today, and this intuition has been proven right. But with a new twist.
Opera Prima Makes Its American Debut With Soprano Amanda Forsythe
Flip a coin: if it’s heads, it’s love; if it’s tails, it’s torment. So was the theme of the evening’s program of seventeenth-century Italian music at the Morgan Library’s centennial concert last Thursday, as part of the Boston Early Music Festival’s 2024 series. Headed by viola da gamba player Cristiano Contadin, the critically acclaimed Italian ensemble Opera Prima performs music of the Renaissance and Baroque on period instruments.
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