When Chris Speed formed Yeah No in the late 1990s, there was no lane for its hybrid style, which drew from both post-punk and post-bop, with shoegaze and Balkan klezmer folded in. Speed, a multi-reedist, had intrepid partners in trumpeter Cuong Vu, bassist Skúli Sverrisson, and drummer Jim Black — each one a sonic visionary, and all of them committed to a band ideal. They’ve since pursued other projects, in far-flung locales.