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Joshua Barone

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As seen in: The New York Times, O Globo, The New York Times en Español, The New York Times International, Estadão, The Independent (UK), Boston.com, Chicago Tribune, Infobae, Milenio, Sydney Morning Herald and
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Articles

Review: ‘Lincoln in the Bardo’ Crosses Over to the Opera Realm

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By Joshua Barone Verified
| The New York Times Verified
Review: ‘Lincoln in the Bardo’ Crosses Over to the Opera Realm Missy Mazzoli and Royce Vavrek are making their Metropolitan Opera debut with an imaginative, moving adaptation of George Saunders’s ghostly novel. Peter Mattei as Lincoln, surrounded by the dead in the bardo.Credit...Sara Krulwich/The New York Times Oct. 20, 2026, 11:53 a.m. ET Lincoln in the Bardo NYT Critic’s Pick George Saunders’s novel “Lincoln in the Bardo” is full of lines that leave a lump in your throat.
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An Opera Ripped From the Headlines of the War in Ukraine

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By Joshua Barone Verified
| The New York Times Verified
An Opera Ripped From the Headlines of the War in Ukraine Operas don’t usually reflect current events. But “The Mothers of Kherson,” a product of artistic advocacy by the Met Opera, blends news and myth. From left at the front, Kamila Dutkowska, Malgorzata Walewska and Izabela Matula as the three leading women of “The Mothers of Kherson,” which premiered on Friday at the Polish National Opera.Credit...Krzysztof Bielinski Oct.
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Watch a Brilliant Opera Singer Balance Elegance and Ugliness

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By Joshua Barone Verified
| The New York Times Verified
You have a preview view of this article while we are checking your access. When we have confirmed access, the full article content will load. Giuseppe Verdi, the composer of classic operas like “La Traviata,” didn’t write with traditional ideas of how a singer should sound.
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