thevarsity.ca
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beholder to draw you in and move you.
The effect beauty provokes in the viewer or reader is a feeling of wonder, a kind of trembling awe that pulls you in and traps you. To know when a work of art or a film is beautiful, we rely on our own aesthetic sense, which is partly inherent and partly conditioned. Our sense of aesthetic helps us shape our reality, whether in abstract or in evolution.
The idea of a definable, objective beauty and aesthetic sense is generally controversial — especially when we apply it to animals. The reason behind the controversy is that we don’t fully understand beauty as an idea, so we cannot yet investigate its evolutionary purpose. Even though biologists have sought to explain the purpose of an intrinsic aesthetic sense for decades, they agree that, to have an aesthetic sense, the onlooker needs to have an ability to assess, evaluate, and even rank choices.
In some developments of natural selection in evolutionary theory, humans and animals evaluate ornaments subjectively and cognitively. In nature, Charles Darwin used the term ‘ornaments’ to describe physical displays to court and attract mates — characteristics seen in animals that are more decorative than critical to survival. He called this process ‘sexual selection.’ But for a long period of time, this theory was dismissed because it put too much evolutionary credit on the female animals’ selectiveness in choosing a mate.