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Articles by Kudzai Chisango
Album Review: NehruvianDOOM - NehruvianDOOM
If albums today were judged solely on sonic innovation or groundbreaking compositional techniques then most commercially released music would fail to meet the minimum requirements. The self-titled album NehruvianDOOM seeks to blend the old with the new school in the odd pair coupling of newcomer Bishop Nehru and veteran DOOM. The album has a very old school feel to it and seems to take the listener back to the golden years of the likes of ‘A Tribe Called Quest’.
Album Review: Moviestar - 'Stupid People / Happy Days' - Fortitude Magazine
Already building quite a reputation across their native Norway for their memorable and explosive live performances, Moviestar transcend genre and all expectations with new album Stupid People / Happy Days. Kicking off with the scuzzy beats and whirring beats of ‘Stupid People’, the album instantly hits you with Moviestar’s unique, vibrant energy and electro-punk vibes, in the vein of the likes of The Go! Team.
Single Review: CHRVCHES - My Enemy - Fortitude Magazine
Lauren has explained that the ‘Love Is Dead’ is all about maturing as individuals and artists and “Coming to terms with the fact that there are great things in the world and there are awful things in the world and you can’t get one without the other.” Berninger’s distinctive vocals glide perfectly throughout this bittersweet new single, “I’ve got no more time to hear what you think about me.
Single Review: Daani – Two Hands - Fortitude Magazine
Her influences include the likes of Stevie Wonder, Jessie Ware, and Sia but to name a few. Daani has previously released an EP appropriately titled “EP” which is comprised of a collection of more dramatic and emotive music. In comparison to the more slow burning sounds of ‘EP’, Two Hands certainly feels like a shift in energy but not a miscalculated one at that.
Album Review: NehruvianDOOM - NehruvianDOOM
The album has a very old school feel to it and seems to take the listener back to the golden years of the likes of ‘A Tribe Called Quest’. With DOOM handling the bulk of the production work, the album has a solid base and never seems to steer off course. Vocal skits from movies, a trademark production technique of DOOM’s, are scattered throughout the album and the unorthodox high-pitched vocals (‘Om’ and ‘Darkness’) seem to establish a consistent theme.
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